Electronic Music And Musique Concrete

Author : Pierre Schaeffer
Publisher : Univ of California Press
ISBN 13 : 0520265742
Total Pages : 244 pages
Book Rating : 4.45/5 ( download)

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Download or read book In Search of a Concrete Music written by Pierre Schaeffer and published by Univ of California Press. This book was released on 2012-11-26 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Suitable for those interested in contemporary musicology or media history, this title offers a translation of the author's pioneering work - at once a journal of his experiments in sound composition and a treatise on the raison d'etre of concrete music.

Author : Terence Dwyer
Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 92 pages
Book Rating : 4.18/5 ( download)

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Download or read book Composing with Tape Recorders written by Terence Dwyer and published by Oxford University Press, USA. This book was released on 1971 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : David Ernst
Publisher : New York : Schirmer Books
ISBN 13 :
Total Pages : 326 pages
Book Rating : 4.93/5 ( download)

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Download or read book The Evolution of Electronic Music written by David Ernst and published by New York : Schirmer Books. This book was released on 1977 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Thom Holmes
Publisher : Routledge
ISBN 13 : 131741022X
Total Pages : 1080 pages
Book Rating : 4.25/5 ( download)

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Download or read book Electronic and Experimental Music written by Thom Holmes and published by Routledge. This book was released on 2015-10-08 with total page 1080 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.

Author :
Publisher : University of Toronto Press
ISBN 13 : 1442637897
Total Pages : 179 pages
Book Rating : 4.94/5 ( download)

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Download or read book A Bibliography of Electronic Music written by and published by University of Toronto Press. This book was released on 1967-12-15 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exhaustive bibliography, reflecting current interest in electronic music, includes all available citations of books, articles, and monographs pertaining to "musique concrète," "Elektronische Musik," "tape music," and "computer music" from publications in fourteen languages. Organized alphabetically by author, or, in the case of unsigned works, by title, and including a classified subject index, this book will appeal primarily to persons or organizations who are founding or maintaining electronic music centres, composing or performing electronic music, or pursuing original research in experimental music and related disciplines.

Author : Curtis Roads
Publisher : Oxford University Press, USA
ISBN 13 : 0195373243
Total Pages : 513 pages
Book Rating : 4.40/5 ( download)

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Download or read book Composing Electronic Music written by Curtis Roads and published by Oxford University Press, USA. This book was released on 2015 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.

Author : Thom Holmes
Publisher : Routledge
ISBN 13 : 1317410238
Total Pages : 585 pages
Book Rating : 4.32/5 ( download)

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Download or read book Electronic and Experimental Music written by Thom Holmes and published by Routledge. This book was released on 2015-10-08 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.

Author : Nick Collins
Publisher : Cambridge University Press
ISBN 13 : 1108548474
Total Pages : 360 pages
Book Rating : 4.72/5 ( download)

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Download or read book The Cambridge Companion to Electronic Music written by Nick Collins and published by Cambridge University Press. This book was released on 2017-10-30 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

Author : Simon Emmerson
Publisher : Routledge
ISBN 13 : 1351217844
Total Pages : 332 pages
Book Rating : 4.42/5 ( download)

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Download or read book Living Electronic Music written by Simon Emmerson and published by Routledge. This book was released on 2017-09-29 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the widest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes. It is evident that in such new musical practices the human body has a new relationship to the sound. There is a historical dimension to this, for since the earliest electroacoustic experiments in 1948 the body has been celebrated or sublimated in a strange 'dance' of forces in which it has never quite gone away but rarely been overtly present. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.

Author : Peter Shapiro
Publisher : Distributed Art Pub Incorporated
ISBN 13 : 9781891024061
Total Pages : 255 pages
Book Rating : 4.6X/5 ( download)

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Download or read book Modulations written by Peter Shapiro and published by Distributed Art Pub Incorporated. This book was released on 2000 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: A technophile's wet dream going beyond the limits of an encyclopedia or a record guide, here are essays by musicians and music journalists which illuminate genres techno, house, krautrock, disco, hip-hop, jungle, drum'n'bass, ambient and downtempo. Probing the conceptual origins of synthesised sound and including legendary names Kraftwerk, Giorgio Moroder, Robert Moog and John Cage, the black roots of electronic music are also documented, from free-jass traveller Sun Ra to funk inovators Parliament and Funkadelic. With sections on fusion, dub, post-punk, breakbeats+.