Moving Image Technology

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Author :
Publisher : Wallflower Press
ISBN 13 : 9781904764069
Total Pages : 292 pages
Book Rating : 4.61/5 ( download)

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Book Synopsis Moving Image Technology by : Leo Douglas Graham Enticknap

Download or read book Moving Image Technology written by Leo Douglas Graham Enticknap and published by Wallflower Press. This book was released on 2005 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author explains scientific, technical and engineering concepts clearly and in a way that can be understood by non-scientists. He integrates a discussion of traditional, film-based technologies with the impact of emerging 'new media' technologies such as digital video, e-cinema and the Internet.

Towards a Philosophy of Cinematography

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Author :
Publisher : Springer Nature
ISBN 13 : 3030659356
Total Pages : 90 pages
Book Rating : 4.56/5 ( download)

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Book Synopsis Towards a Philosophy of Cinematography by : Alexander Nevill

Download or read book Towards a Philosophy of Cinematography written by Alexander Nevill and published by Springer Nature. This book was released on 2021-06-01 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents three interrelated essays about cinematography which offer a theoretical understanding of the ways that film practitioners orchestrate light in today’s post-digital context. Cinematography is a practice at the heart of film production which traditionally involves the control of light and camera technologies to creatively capture moving imagery. During recent years, the widespread adoption of digital processes in cinematography has received a good deal of critical attention from practitioners and scholars alike, however little specific consideration about evolving lighting practices can be found amongst this discourse. Drawing on new-materialist ideas, actor-network theory and the concept of co-creativity, these essays examine the impact of changing production processes for the role and responsibilities of a cinematographer with a specific focus on lighting. Each essay advances a new perspective on the discipline, moving from the notion of light as vision to light as material, from technology as a tool to technology as a network, and from cinematography as an industry to cinematography as a collaborative art.

Encyclopedia of journalism. 6. Appendices

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Publisher : SAGE
ISBN 13 : 0761929576
Total Pages : 3131 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Encyclopedia of journalism. 6. Appendices by : Christopher H. Sterling

Download or read book Encyclopedia of journalism. 6. Appendices written by Christopher H. Sterling and published by SAGE. This book was released on 2009-09-25 with total page 3131 pages. Available in PDF, EPUB and Kindle. Book excerpt: The six-volume Encyclopedia of Journalism covers all significant dimensions of journalism including: print, broadcast and Internet journalism; US and international perspectives; history; technology; legal issues and court cases; ownership; and economics.

Emotions, Technology, and Design

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Publisher : Academic Press
ISBN 13 : 0081007019
Total Pages : 269 pages
Book Rating : 4.13/5 ( download)

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Book Synopsis Emotions, Technology, and Design by : Sharon Tettegah

Download or read book Emotions, Technology, and Design written by Sharon Tettegah and published by Academic Press. This book was released on 2015-12-28 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emotional design explicitly addresses the emotional relationship between the objects and the subjects of design—in this book, the objects are technologies, and the subjects are technology users. The first section delves into the philosophy and theory of emotional design to provide a foundation for the rest of the book, which goes on to discuss emotional design principles, the design and use of emoticons, and then intelligent agents in a variety of settings. A conclusion chapter covers future research and directions. Emotions, Technology, and Design provides a thorough look at how technology design affects emotions and how to use that understanding to in practical applications. Discusses the role of culture, trust, and identity in empathetic technology Presents a framework for using sound to elicit positive emotional responses Details the emotional use of color in design Explores the use of emoticons, earcons, and tactons Addresses the emotional design specific to agent-based environments

Technology and the Making of Experimental Film Culture

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Publisher : Oxford University Press
ISBN 13 : 019768338X
Total Pages : 297 pages
Book Rating : 4.85/5 ( download)

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Book Synopsis Technology and the Making of Experimental Film Culture by : Powers

Download or read book Technology and the Making of Experimental Film Culture written by Powers and published by Oxford University Press. This book was released on 2023 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology and the Making of Experimental Film Culture examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture. By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process. Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess. By framing film labs as mystical or adversarial, they cultivated an oppositionality that valorized control over the artistic process. And by using the optical printer as a tool for excavating latent meaning out of found footage, they posited the reworking of images as fundamental to the exploration of personal and cultural identity. Providing a wealth of new detail about the making of canonized avant-garde classics by such luminaries as Carolee Schneemann, Jack Smith, and Stan Brakhage, as well as rediscovering works from overlooked artists such as Chick Strand, Amy Halpern, and Gunvor Nelson, Technology and the Making of Experimental Film Culture uses technology as a lens for examining the process of making: where ideas come from, how they are put into practice, and how arguments about those ideas foster cultural and artistic commitments and communities.

Television

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Publisher : Routledge
ISBN 13 : 1136925813
Total Pages : 403 pages
Book Rating : 4.18/5 ( download)

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Book Synopsis Television by : Jeremy G. Butler

Download or read book Television written by Jeremy G. Butler and published by Routledge. This book was released on 2012-02-20 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: For nearly two decades, Television: Critical Methods and Applications has served as the foremost guide to television studies. Designed for the television studies course in communication and media studies curricula, Television explains in depth how television programs and commercials are made and how they function as producers of meaning. Author Jeremy G. Butler shows the ways in which camera style, lighting, set design, editing, and sound combine to produce meanings that viewers take away from their television experience. He supplies students with a whole toolbox of implements to disassemble television and read between the lines, teaching them to incorporate critical thinking into their own television viewing. The fourth edition builds upon the pedagogy of previous editions to best accommodate current modes of understanding and teaching television. Highlights of the fourth edition include: New chapter and part organization to reflect the current approach to teaching television—with greatly expanded methods and theories chapters. An entirely new chapter on modes of production and their impact on what you see on the screen. Discussions integrated throughout on the latest developments in television’s on-going convergence with other media, such as material on transmedia storytelling and YouTube’s impact on video distribution. Over three hundred printed illustrations, including new and better quality frame grabs of recent television shows and commercials. A companion website featuring color frame grabs, a glossary, flash cards, and editing and sound exercises for students, as well as PowerPoint presentations, sample syllabi and other materials for instructors. Links to online videos that support examples in the text are also provided. With its distinctive approach to examining television, Television is appropriate for courses in television studies, media criticism, and general critical studies.

Film Restoration

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Publisher : Springer
ISBN 13 : 113732872X
Total Pages : 244 pages
Book Rating : 4.24/5 ( download)

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Book Synopsis Film Restoration by : L. Enticknap

Download or read book Film Restoration written by L. Enticknap and published by Springer. This book was released on 2013-11-13 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.

A Dictionary of Film Studies

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Publisher : Oxford University Press, USA
ISBN 13 : 0199587264
Total Pages : 530 pages
Book Rating : 4.61/5 ( download)

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Book Synopsis A Dictionary of Film Studies by : Annette Kuhn

Download or read book A Dictionary of Film Studies written by Annette Kuhn and published by Oxford University Press, USA. This book was released on 2012-06-21 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism.

The Cinema of Stephanie Rothman

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Author :
Publisher : Univ. Press of Mississippi
ISBN 13 : 1496841034
Total Pages : 273 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis The Cinema of Stephanie Rothman by : Alicia Kozma

Download or read book The Cinema of Stephanie Rothman written by Alicia Kozma and published by Univ. Press of Mississippi. This book was released on 2022-10-17 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rare woman director working in second wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America’s student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman’s career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women’s filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women’s directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women’s directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.

Reel Change

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Publisher : Indiana University Press
ISBN 13 : 0861969839
Total Pages : 246 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis Reel Change by : Richard Wallace

Download or read book Reel Change written by Richard Wallace and published by Indiana University Press. This book was released on 2022-08-16 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ten years ago, a technological revolution swept through cinemas around the world, as analogue projectors were replaced with digital equipment. It was not just the plastic medium of film that was removed from projection boxes during this transformation; most cinemas took this opportunity to also evict the human projectionists who were hitherto in charge of screenings. Projectionists had been hidden from the sight of audiences for most of the history of photographic moving image projection, and their redundancies went largely unnoticed and unremarked upon. This book focuses attention on what has been happening behind film spectators' heads for the past 130 years, and attempts to write the history of cinema in Britain from the perspective of its habitually overlooked and undervalued projectionists, beginning in the silent era and continuing to the present day. Drawing upon extensive archival research and lengthy interviews with former projectionists, it documents the key facets and challenges of their work, and how these evolved in response to previous waves of significant technological change. It evaluates how projectionists helped to design and maintain key aesthetic characteristics of the 20th century big screen experience. It shows how the institution of cinema in Britain has been historically underpinned by the harsh exploitation of projectionists by many employers, detailing inadequate wage levels and poor working conditions that formerly provoked government investigation, and explaining why these problems were never successfully ameliorated by trade unions. It also charts in depth the recent fateful transition to digital projection, delineating how and why projectionists were so swiftly and ruthlessly consigned to the past, and assessing whether this form of entertainment should be considered diminished by their super session.