The Animation Studies Reader

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Author :
Publisher : Bloomsbury Academic
ISBN 13 : 1501332600
Total Pages : 353 pages
Book Rating : 4.09/5 ( download)

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Book Synopsis The Animation Studies Reader by : Nichola Dobson

Download or read book The Animation Studies Reader written by Nichola Dobson and published by Bloomsbury Academic. This book was released on 2018-10-18 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.

A Reader In Animation Studies

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Author :
Publisher : Indiana University Press
ISBN 13 : 0861969006
Total Pages : 304 pages
Book Rating : 4.05/5 ( download)

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Book Synopsis A Reader In Animation Studies by : Jayne Pilling

Download or read book A Reader In Animation Studies written by Jayne Pilling and published by Indiana University Press. This book was released on 1998-05-22 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cartoons—both from the classic Hollywood era and from more contemporary feature films and television series—offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies.

The Animation Studies Reader

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Author :
Publisher : Bloomsbury Academic
ISBN 13 : 1501332619
Total Pages : 353 pages
Book Rating : 4.16/5 ( download)

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Book Synopsis The Animation Studies Reader by : Nichola Dobson

Download or read book The Animation Studies Reader written by Nichola Dobson and published by Bloomsbury Academic. This book was released on 2018-10-18 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.

Reading the Rabbit

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Publisher : Rutgers University Press
ISBN 13 : 9780813525389
Total Pages : 292 pages
Book Rating : 4.81/5 ( download)

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Book Synopsis Reading the Rabbit by : Kevin S. Sandler

Download or read book Reading the Rabbit written by Kevin S. Sandler and published by Rutgers University Press. This book was released on 1998 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: On cartoon animation

Animated Documentary

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Publisher : Palgrave Macmillan
ISBN 13 : 9781137017451
Total Pages : 0 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Animated Documentary by : Annabelle Honess Roe

Download or read book Animated Documentary written by Annabelle Honess Roe and published by Palgrave Macmillan. This book was released on 2013-06-11 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Animated Documentary, the first book to be published on this fascinating topic, considers how animation is used as a representational strategy in nonfiction film and television and explores the ways animation expands the range and depth of what documentary can show us about the world. On behalf of the Society for Animation Studies(SAS), the Chair of the Jury announced the book as the winner of the delayed 2015 SAS McLaren-Lambart Award with the following words: 'Animated Documentary is a vital addition to both animation scholarship and film studies scholarship more broadly, expertly achieving the tricky challenge of synthesising these two scholarly traditions to provide a compelling and brilliantly coherent account of the animated documentary form. At the heart of Roe’s book is the conviction that animated documentary “has the capacity to represent temporally, geographically, and psychologically distal aspects of life beyond the reach of live action” (p. 22). As a representational strategy, Roe details how animated documentary can be seen to adopt techniques of “mimetic substitution, non-mimetic substitution and evocation” in response to the limitations of live action material (p. 26). Animated Documentary will without doubt become an essential resource for many years to come for anyone interested in the intersection of animation and documentary.'

Understanding Animation

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Publisher : Routledge
ISBN 13 : 1136158731
Total Pages : 280 pages
Book Rating : 4.35/5 ( download)

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Book Synopsis Understanding Animation by : Paul Wells

Download or read book Understanding Animation written by Paul Wells and published by Routledge. This book was released on 2013-11-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Discussing Disney

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Publisher : John Libbey Publishing
ISBN 13 : 0861969626
Total Pages : 270 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Discussing Disney by : Amy M. Davis

Download or read book Discussing Disney written by Amy M. Davis and published by John Libbey Publishing. This book was released on 2019-12-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussing Disney has grown out of a conference of the same name, is a collection of 12 papers on topics which, though diverse in scope, all relate back to one another through their connection to Disney. As the field of Disney Studies continues to grow and evolve, those working within and contributing to it come from a range of backgrounds, including History, Myth Studies, Film Studies, Gender Studies, and Musicology (to name just a few), and therefore examine the outputs of the Disney company - and the company itself – in diverse ways. Discussing Disney seeks to continue the evolution of Disney Studies as an academic field that has now evolved beyond a discourse that merely, to quote Eric Smoodin (1994), "...[sought} to complicate the notions and uses of Disney discourse that currently make their way to the general public through the popular media". Though this was an important early step in Disney Studies, as it found it necessary to justify its legitimacy within the academy, in the intervening quarter-century, Disney Studies has established itself as a field of Animation Studies (which, simultaneously, has established itself as a branch of Film and Television Studies, as well as Cultural Studies), and is now recognized widely as a valid subject of academic enquiry in its own right. Film Studies as a whole - and Disney Studies as part of that - has also evolved in such a way that it has moved forward from insisting upon an overtly political (and therefore inherently biased) stance, and has taken up a more historically-based and/or cultural studies-based, politically-neutral approach that seeks to contextualize its subject in terms of the conditions in which the company's various outputs - animated shorts and films, theme park attractions, television shows, books, music, merchandising, and the like - have been produced, as well as understanding the audience for whom these were made initially. This is not to say that the field ignores politics - far from it - but rather that it uses political history and political theory as academic basis, rather than as a position from which to debate and opine. By looking at Disney from some of its many angles - the history and the persona of its founder, a selection of its films (from the blockbuster successes to the less than successful), its approaches to animation, its branding and fandom, and the ways that it has been understood and reinterpreted within popular culture - it is hoped that Discussing Disney offers its readers (and the field of Disney Studies) a more holistic understanding of a company that is arguably one of the most important forces within culture - popular or otherwise - within (so far) the Twentieth and Twenty-First Centuries.

Frame by Frame

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Publisher : University of California Press
ISBN 13 : 0520303628
Total Pages : 276 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Frame by Frame by : Hannah Frank

Download or read book Frame by Frame written by Hannah Frank and published by University of California Press. This book was released on 2019-04-09 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920–1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called “cels”) and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.

The Comic Book History of Animation: True Toon Tales of the Most Iconic Characters, Artists and Styles!

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Publisher : IDW Publishing
ISBN 13 : 1649360002
Total Pages : 132 pages
Book Rating : 4.07/5 ( download)

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Book Synopsis The Comic Book History of Animation: True Toon Tales of the Most Iconic Characters, Artists and Styles! by : Fred Van Lente

Download or read book The Comic Book History of Animation: True Toon Tales of the Most Iconic Characters, Artists and Styles! written by Fred Van Lente and published by IDW Publishing. This book was released on 2021-07-21 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the team behind The Comic Book History of Comics comes the perfect companion piece telling the story of the triumphs and tragedies of the filmmakers and beloved animated characters of the past century and a half—essential for hardcore fans of the medium and noobies alike! It's all here, from Aardman to Zoetrope, Disney to Miyazaki, Hanna-Barbera to Pixar, and everything in-between! Begin in the early 1900s with J. Stuart Blackton and the first American cartoon, Winsor McCay's Gertie the Dinosaur, and Felix the Cat! Find out about Margaret Winkler, the most powerful person in early animation, and Walt Disney, who revolutionizes cartoons with sound and color! Discover how Fleischer Studios teaches us to sing "Boop-boop-a-doop" and eat our spinach, and how Warner Bros' Looney Toons rivaled Disney's Silly Symphonies! Plus, icons of animation including Hanna-Barbera, Huckleberry Hound, The Flintstones, and Ruby-Spears; the Plastic Age of toy-based TV shows including G.I. Joe, Transformers, and He-Man; and the new Golden Age of TV animation launched by The Simpsons! And go abroad to France with Émile Cohl's dynamic doodles in Fantasmagorie; to Japan, where the Imperial Navy debuts the first full-length anime as propaganda, Divine Sea Warriors, and Osamu Tezuka conquers TV as he conquered manga; and to Argentina, which beat out Snow White for the first feature length animated movie by two decades! And finally, Jurassic Park and the computer animation revolution! Post-Little Mermaid Disney, Pixar, and Studio Ghibli conquer the world! If you’ve ever wanted to know more about the history of animation but were afraid to ask, this book is especially for you!

Aardman Animations

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350130303
Total Pages : 332 pages
Book Rating : 4.02/5 ( download)

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Book Synopsis Aardman Animations by : Annabelle Honess Roe

Download or read book Aardman Animations written by Annabelle Honess Roe and published by Bloomsbury Publishing. This book was released on 2020-02-06 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate 'Claymation' methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children's media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of 'British-ness' on screen and the implications of traditional animation methods in a digital era.