Canadian Craft And Museum Practice 1900 1950

Author : Sandra Flood
Publisher : University of Ottawa Press
ISBN 13 : 1772823686
Total Pages : 353 pages
Book Rating : 4.84/5 ( download)

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Download or read book Canadian craft and museum practice, 1900-1950 written by Sandra Flood and published by University of Ottawa Press. This book was released on 2001-01-01 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the first overview of craft activity, as an integral part of Canadian culture between 1900 and 1950, and reviews the tone and focus of contemporaneous writing about craft. It explores the diversity of all aspects of craft, including makers, production, organization, education, and government involvement.

Author : Sandra Flood
Publisher : Hull, Quebec : Canadian Museum of Civilization
ISBN 13 :
Total Pages : 364 pages
Book Rating : 4.26/5 ( download)

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Download or read book Canadian Craft and Museum Practice, 1900-1950 written by Sandra Flood and published by Hull, Quebec : Canadian Museum of Civilization. This book was released on 2001 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This highly readable account presents the first overview of craft activity as an integral part of Canadian culture between 1900 and 1950, and reviews the tone and focus of contemporaneous writing about craft. It explores the diversity of all aspects of craft, including makers, production, organizations, education, and government involvement. The history of museums and their lack of response to this major component of Canadian culture combined with the fate of various craft collections raise important, ongoing questions.

Author : Jean Johnson
Publisher : Coach House Books
ISBN 13 : 9781552451076
Total Pages : 128 pages
Book Rating : 4.70/5 ( download)

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Download or read book Exploring Contemporary Craft written by Jean Johnson and published by Coach House Books. This book was released on 2002 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: The craft of craft, the art of craft – here in Canada we're just starting to really talk about these things. In March 1999, Jean Johnson, who runs Toronto's Craft Studio at Harbourfront Centre, organized a wildly successful symposium on the state of craft in Canada. Curators, writers, critics, academics and craftspeople spoke about all aspects of craft: history, practice, theory, criticism. Taken together, these papers create a clear picture of the vibrant crafts scene in Canada. The symposium was a groundbreaking event, a first in Canada, offering to the crafts community a new depth of consideration. The book, too, is a Canadian first, and it will allow a dialogue about the academic side of the craft movement to continue. Each of the book's three sections, History, Theory and Critical Writing, contains a keynote paper and essays by experts in each field, including Mark Kingwell writing 'On Style,' Blake Gopnik on 'Reviewing Craft Exhibitions for the Art Pages,' and Robin Metcalfe addressing 'Teacup Readings: Contextualizing Craft in the Art Gallery.'

Author : Sandra Alfoldy
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 0773572643
Total Pages : 309 pages
Book Rating : 4.45/5 ( download)

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Download or read book Crafting Identity written by Sandra Alfoldy and published by McGill-Queen's Press - MQUP. This book was released on 2005-07-26 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: By contrasting American experience with the Canadian context, which includes a unique Quebec identity and a Native dimension, Sandra Alfoldy argues that the development of organizations, advanced education for craftspeople, and exhibition and promotional opportunities have contributed to the distinct evolution of professional craft in Canada over the past forty years. Alfoldy focuses on 1964-74 and the debates over distinctions between professional, self-taught, and amateur craftspeople and between one-of-a-kind and traditional craft objects. She deals extensively with key people and events, including American philanthropist Aileen Osborn Webb and Canadian philanthropist Joan Chalmers, the foundation of the World Crafts Council (1964) and the Canadian Crafts Council (1974), the Canadian Fine Crafts exhibition at Expo 67, and the In Praise of Hands exhibition of 1974. Drawing upon a wealth of previously unexploited materials, this richly documented survey includes descriptions and illustrations of significant works and identifies the challenges that lie ahead for professional crafts in Canada.

Author : Melanie Egan
Publisher : University of Ottawa Press
ISBN 13 : 1772823775
Total Pages : 137 pages
Book Rating : 4.76/5 ( download)

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Download or read book Crafting new traditions written by Melanie Egan and published by University of Ottawa Press. This book was released on 2008-01-01 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: Crafting New Traditions: Canadian Innovators and Influences brings together the work of eleven historians and craftspeople to address the two questions of “who has influenced the recent history of Canadian studio craft?” and “who will be considered as the ‘pioneers’ of Canadian craft in the future?”

Author : Alla Myzelev
Publisher : Routledge
ISBN 13 : 1351575910
Total Pages : 379 pages
Book Rating : 4.11/5 ( download)

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Download or read book "Architecture, Design and Craft in Toronto 1900-1940 " written by Alla Myzelev and published by Routledge. This book was released on 2017-07-05 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: Toronto - the largest and one of the most multicultural cities in Canada - boasts an equally interesting and diverse architectural heritage. Architecture, Design and Craft in Toronto 1900-1940 tells a story of the significant changes in domestic life in the first 40 years of the twentieth century. Adopting a multidisciplinary approach to studies of residential spaces, the author examines how questions of modernity and modern living influenced not only architectural designs but also interior furnishings, modes of transportation and ways to spend leisure time. The book discusses several case studies, some of which are known both locally and internationally (for example Casa Loma), while others such as Guild of All Arts or Sherwood have been virtually unstudied by historians of visual culture. The overall goal of the book is to put Toronto on the map of scholars of urban design and architecture and to uncover previously unknown histories of design, craft and domesticity in Toronto. This study will be of interest not only to the academic community (namely architects, designers, craftspeople and scholars of these disciplines, along with social historians), but also the general public interested in local history and/or visual culture.

Author :
Publisher :
ISBN 13 :
Total Pages : 204 pages
Book Rating : 4./5 ( download)

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Download or read book Anthropologica written by and published by . This book was released on 2003 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Canadian Museum of Civilization
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 9780773528734
Total Pages : 152 pages
Book Rating : 4.33/5 ( download)

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Download or read book Made in Canada written by Canadian Museum of Civilization and published by McGill-Queen's Press - MQUP. This book was released on 2005 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading Canadian artists, curators, and art historians from Douglas Coupland to Paul Bourassa look at questions of design and national identity in the 1960s.

Author : Ellen Easton McLeod
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 0773574174
Total Pages : 376 pages
Book Rating : 4.75/5 ( download)

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Download or read book In Good Hands written by Ellen Easton McLeod and published by McGill-Queen's Press - MQUP. This book was released on 1999-12-20 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Canadian Handicrafts Guild broadened the definition of art and the artist in Canada. Linking decorative arts with home arts and handicrafts, the Guild consistently showed them together at annual exhibitions at the art gallery in Montreal and formed a permanent collection documenting old and contemporary crafts. The Guild women combined creativity and philanthropy, voluntarism and an entrepreneurial spirit, education and concern with quality, in a movement that provided income and recognition to craftspeople and a craft legacy to Canada. In Good Hands is alive with the interplay between art and social history, and the issues this dialogue raised at the time and those we bring to it now constantly overlap. It deals with noblesse oblige and the era's patronizing attitude to cultural difference, but shows how the Guild consciously fostered an inclusive national feeling by exhibiting and selling crafts of all Canadians on an equal footing. It also draws a much broader perspective of women's roles in shaping our culture than has been the norm in Canadian art history.

Author : Erin Morton
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 077359986X
Total Pages : 405 pages
Book Rating : 4.64/5 ( download)

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Download or read book For Folk’s Sake written by Erin Morton and published by McGill-Queen's Press - MQUP. This book was released on 2016-11-01 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those active in the contemporary Canadian art world at a time when modernism – and the art market that once sustained it – had reached a crisis. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it out according to a particular modernist aesthetic language. Morton engages national and transnational developments that helped to shape ideas about folk art to show how a conceptual category took material form. Generously illustrated, For Folk’s Sake interrogates the emotive pull of folk art and reconstructs the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia’s most important art institutions.