Culture Wars and Horror Movies

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Publisher : Springer Nature
ISBN 13 : 3031538366
Total Pages : 232 pages
Book Rating : 4.60/5 ( download)

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Book Synopsis Culture Wars and Horror Movies by : Noelia Gregorio-Fernández

Download or read book Culture Wars and Horror Movies written by Noelia Gregorio-Fernández and published by Springer Nature. This book was released on with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Culture Wars and Horror Movies

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Author :
Publisher : Palgrave Macmillan
ISBN 13 : 9783031538353
Total Pages : 0 pages
Book Rating : 4.58/5 ( download)

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Book Synopsis Culture Wars and Horror Movies by : Noelia Gregorio-Fernández

Download or read book Culture Wars and Horror Movies written by Noelia Gregorio-Fernández and published by Palgrave Macmillan. This book was released on 2024-05-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, contributors explore the deep ideological polarization in US society as portrayed in horror narratives and tropes. By navigating this polarized society in their representation of social values, twenty[1]first-century horror films critically frame and engage conflicting and divisive ideological issues. Culture Wars and Horror Movies: Social Fears and Ideology in Post-2010 Horror Cinema analyses the ways in which these “culture wars” make their way into and through contemporary horror films, focusing on the post-2010 US context and its fundamental political divisions.

Culture Wars and Horror Movies

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Author :
Publisher : Springer Nature
ISBN 13 : 3031532783
Total Pages : 229 pages
Book Rating : 4.88/5 ( download)

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Book Synopsis Culture Wars and Horror Movies by : Noelia Gregorio-Fernández

Download or read book Culture Wars and Horror Movies written by Noelia Gregorio-Fernández and published by Springer Nature. This book was released on with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Culture Wars and Horror Movies

Download Culture Wars and Horror Movies PDF Online Free

Author :
Publisher : Palgrave Macmillan
ISBN 13 : 9783031532771
Total Pages : 0 pages
Book Rating : 4.75/5 ( download)

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Book Synopsis Culture Wars and Horror Movies by : Noelia Gregorio-Fernández

Download or read book Culture Wars and Horror Movies written by Noelia Gregorio-Fernández and published by Palgrave Macmillan. This book was released on 2024-04-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues. Culture Wars and Horror Movies: Gender Debates in post-2010 US Horror Cinema analyses the ways in which these “culture wars” make their way into gender, focusing on the post-2010 US context and its fundamental political divisions. Approaching these topics from feminist and postfeminist theories to ecocritical views, this volume explores how contemporary horror movies engage with the current context of “culture wars.”

Pop Culture Wars

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Publisher : Wipf and Stock Publishers
ISBN 13 : 1597525774
Total Pages : 383 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis Pop Culture Wars by : William D. Romanowski

Download or read book Pop Culture Wars written by William D. Romanowski and published by Wipf and Stock Publishers. This book was released on 2006-02-15 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: Entertainment has long been a source of controversy in American life. On the one hand, American popular culture is enormously desired, captivating audiences around the world. On the other hand, more and more critics blame it for the breakdown of morals and even civilizations itself. Surely Christians and other religious citizens have something to contribute to what is, after all, a discussion of morality. But too often their contributions have been ill-informed, unreflective and reactionary. In this groudbreaking book, William Romanowski brings something desperately needed to the discussion: an informed, systematic and challenging Christian perspective. Comprehensive and historically revealing, Pop Culture Wars bids to accomplish nothing less than to reframe and render more constructive a crucial but angry cultural debate.

Horror movies as a part of American Popculture

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Publisher : GRIN Verlag
ISBN 13 : 3638626857
Total Pages : 18 pages
Book Rating : 4.59/5 ( download)

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Book Synopsis Horror movies as a part of American Popculture by : Sarah Rehberg

Download or read book Horror movies as a part of American Popculture written by Sarah Rehberg and published by GRIN Verlag. This book was released on 2007-03-27 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 2,0, Ernst Moritz Arndt University of Greifswald (Institut für Angelistik und Amerikanistik), course: American Beliefs and Popular Culture, language: English, abstract: “Fear is the most powerful emotion in the human race and fear of the unknown is probably the most ancient. You are dealing with stuff everybody has felt...If you are making a horror film, you get to play with the audiences feelings.” John Carpenter Horror movies originate from fictional work that portrays the dark side of life with the primary aim of frightening and terrifying its audience. By presenting horrifying images, of several incorporating sub-genres and repeated themes, such as vampires and werewolves, demonic possessions, evil children, cannibals and zombies, alien invasion and mindcontrol, film makers like John Carpenter create a world where the worst nightmares become true. According to the adolescents who are providing the genre’s target group, monster movies always deal with the irresistible temptation of the unknown and forbidden, and therefore shock with a horrific impact of terrifying elements. (...) Since horror and monster movies stand for an important part of the American film industry and with it of its popular culture throughout the last eight decades, it is useful to look at the development of the horror genre in its historical and cultural context, and thus to focus again on the question of interpretive perspective. As horror movies, despite all obscurity, still deal with real fears of a society or the urge to break with social conventions, concentrating on the change of themes, styles and characters of the genre, means to learn more about the American collective consciousness and what was bothering a whole society during the 20th century.

Culture Wars

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Publisher : M.E. Sharpe
ISBN 13 : 0765622505
Total Pages : 768 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Culture Wars by : Roger Chapman

Download or read book Culture Wars written by Roger Chapman and published by M.E. Sharpe. This book was released on 2010 with total page 768 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of letters from a cross-section of Japanese citizens to a leading Japanese newspaper, relating their experiences and thoughts of the Pacific War.

Found Footage Horror Films

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Publisher : McFarland
ISBN 13 : 0786470771
Total Pages : 245 pages
Book Rating : 4.78/5 ( download)

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Book Synopsis Found Footage Horror Films by : Alexandra Heller-Nicholas

Download or read book Found Footage Horror Films written by Alexandra Heller-Nicholas and published by McFarland. This book was released on 2014-05-08 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.

Cult Cinema

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Publisher : John Wiley & Sons
ISBN 13 : 1444396439
Total Pages : 326 pages
Book Rating : 4.30/5 ( download)

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Book Synopsis Cult Cinema by : Ernest Mathijs

Download or read book Cult Cinema written by Ernest Mathijs and published by John Wiley & Sons. This book was released on 2012-03-30 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic

Killer Tapes and Shattered Screens

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Publisher : Univ of California Press
ISBN 13 : 0520954491
Total Pages : 312 pages
Book Rating : 4.96/5 ( download)

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Book Synopsis Killer Tapes and Shattered Screens by : Caetlin Benson-Allott

Download or read book Killer Tapes and Shattered Screens written by Caetlin Benson-Allott and published by Univ of California Press. This book was released on 2013-03-22 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.