Filmosophy About Framptons Radically New Way Of Understanding Cinema

Author : Martin Thiele
Publisher : GRIN Verlag
ISBN 13 : 3640335104
Total Pages : 53 pages
Book Rating : 4.07/5 ( download)

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Download or read book Filmosophy - About Framptons Radically New Way of Understanding Cinema written by Martin Thiele and published by GRIN Verlag. This book was released on 2009 with total page 53 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.

Author : Daniel Frampton
Publisher : Columbia University Press
ISBN 13 : 1904764851
Total Pages : 266 pages
Book Rating : 4.54/5 ( download)

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Download or read book Filmosophy written by Daniel Frampton and published by Columbia University Press. This book was released on 2006 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.

Author : Daniel Frampton
Publisher : Wallflower Press
ISBN 13 : 9781904764847
Total Pages : 274 pages
Book Rating : 4.43/5 ( download)

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Download or read book Filmosophy written by Daniel Frampton and published by Wallflower Press. This book was released on 2006 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.

Author : Jason Wood
Publisher : Wallflower Press
ISBN 13 : 9781904764908
Total Pages : 262 pages
Book Rating : 4.08/5 ( download)

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Download or read book Talking Movies written by Jason Wood and published by Wallflower Press. This book was released on 2006 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Talking Movies' is a collection of interviews with some of the most audacious and respected contemporary filmmakers of the present generation.

Author : James Buhler
Publisher : University of Illinois Press
ISBN 13 : 0252051866
Total Pages : 461 pages
Book Rating : 4.69/5 ( download)

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Download or read book Voicing the Cinema written by James Buhler and published by University of Illinois Press. This book was released on 2020-03-16 with total page 461 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell

Author : Pepita Hesselberth
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1623566479
Total Pages : 228 pages
Book Rating : 4.70/5 ( download)

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Download or read book Cinematic Chronotopes written by Pepita Hesselberth and published by Bloomsbury Publishing USA. This book was released on 2014-06-19 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.

Author : Calum Neill
Publisher : Springer Nature
ISBN 13 : 3030567540
Total Pages : 237 pages
Book Rating : 4.45/5 ( download)

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Download or read book Lacanian Perspectives on Blade Runner 2049 written by Calum Neill and published by Springer Nature. This book was released on 2020-12-18 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis.

Author : Nico Baumbach
Publisher : Columbia University Press
ISBN 13 : 0231545371
Total Pages : 239 pages
Book Rating : 4.72/5 ( download)

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Download or read book Cinema/Politics/Philosophy written by Nico Baumbach and published by Columbia University Press. This book was released on 2018-10-30 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Almost fifty years ago, Jean-Louis Comolli and Jean Narboni published the manifesto “Cinema/Ideology/Criticism,” helping to set the agenda for a generation of film theory that used cinema as a means of critiquing capitalist ideology. In recent decades, film studies has moved away from politicized theory, abandoning the productive ways in which theory understands the relationship between cinema, politics, and art. In Cinema/Politics/Philosophy, Nico Baumbach revisits the much-maligned tradition of seventies film theory to reconsider: What does it mean to call cinema political? In this concise and provocative book, Baumbach argues that we need a new philosophical approach that sees cinema as both a mode of thought and a form of politics. Through close readings of the writings on cinema by the contemporary continental philosophers Jacques Rancière, Alain Badiou, and Giorgio Agamben, he asks us to rethink both the legacy of ideology critique and Deleuzian film-philosophy. He explores how cinema can condition philosophy through its own means, challenging received ideas about what is seeable, sayable, and doable. Cinema/Politics/Philosophy offers fundamental new ways to think about cinema as thought, art, and politics.

Author : José Manuel Martins
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443879584
Total Pages : 315 pages
Book Rating : 4.83/5 ( download)

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Download or read book Thinking Reality and Time through Film written by José Manuel Martins and published by Cambridge Scholars Publishing. This book was released on 2017-03-07 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.

Author : Cleo Hanaway-Oakley
Publisher : Oxford University Press
ISBN 13 : 0191081558
Total Pages : 208 pages
Book Rating : 4.52/5 ( download)

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Download or read book James Joyce and the Phenomenology of Film written by Cleo Hanaway-Oakley and published by Oxford University Press. This book was released on 2017-06-23 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. In a wealth of close analyses, Joyce's fiction is read alongside the work of early film-makers such as Charlie Chaplin, Georges Méliès, and Mitchell and Kenyon, and in relation to the philosophical dimensions of early-cinematic devices such as the Mutoscope, the stereoscope, and the panorama. By putting Joyce's literary work—Ulysses above all—into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.