Il Trittico, Turandot, and Puccini's Late Style

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Publisher : Indiana University Press
ISBN 13 : 0253004721
Total Pages : 328 pages
Book Rating : 4.27/5 ( download)

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Book Synopsis Il Trittico, Turandot, and Puccini's Late Style by : Andrew Davis

Download or read book Il Trittico, Turandot, and Puccini's Late Style written by Andrew Davis and published by Indiana University Press. This book was released on 2010-09-09 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giacomo Puccini is one of the most frequently performed and best loved of all operatic composers. In Il Trittico, Turandot, and Puccini's Late Style, Andrew Davis takes on the subject of Puccini's last two works to better understand how the composer creates meaning through the juxtaposition of the conventional and the unfamiliar -- situating Puccini in past operatic traditions and modern European musical theater. Davis asserts that hearing Puccini's late works within the context of la solita forma allows listeners to interpret the composer's expressive strategies. He examines Puccini's compositional language, with insightful analyses of melody, orchestration, harmony, voice-leading, and rhythm and meter.

Giacomo Puccini and His World

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Publisher : Princeton University Press
ISBN 13 : 1400884063
Total Pages : 360 pages
Book Rating : 4.63/5 ( download)

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Book Synopsis Giacomo Puccini and His World by : Arman Schwartz

Download or read book Giacomo Puccini and His World written by Arman Schwartz and published by Princeton University Press. This book was released on 2016-08-09 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giacomo Puccini (1858–1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini’s operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond clichés of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection’s essays explore Puccini’s engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer’s place in a variety of cosmopolitan formations, and reevaluate Puccini’s orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini’s interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca’s notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.

Late Style and Its Discontents

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Publisher : Oxford University Press
ISBN 13 : 0198704623
Total Pages : 285 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Late Style and Its Discontents by : Gordon McMullan

Download or read book Late Style and Its Discontents written by Gordon McMullan and published by Oxford University Press. This book was released on 2016 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Late style" is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production--often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, "late" being the antonym of "early" or the third term in the triad "early-middle-late." However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterized as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium. Critics seeking to understand late work regularly invoke the examples of Titian, Goethe, and Beethoven as exemplars of what constitutes late work, proposing that something unites the late style of authors, composers, and creative artists who otherwise would not be bracketed together and that lateness per se is a special order of creative work. The essays in this collection resist this position. Ranging across literature, the visual arts, music, and scientific work, the material assembled here looks closely at the material, biographical and other contexts in which the work was produced and seeks both to question the assumptions surrounding late style and to prompt a more critical understanding of the last works of writers, artists and composers.

Reclaiming Late-Romantic Music

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Publisher : Univ of California Press
ISBN 13 : 0520280393
Total Pages : 218 pages
Book Rating : 4.97/5 ( download)

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Book Synopsis Reclaiming Late-Romantic Music by : Peter Franklin

Download or read book Reclaiming Late-Romantic Music written by Peter Franklin and published by Univ of California Press. This book was released on 2014-02-15 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why are some of the most beloved and frequently performed works of the late-romantic periodÑMahler, Delius, Debussy, Sibelius, PucciniÑregarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The styleÕs continuing popularity and its domination of the film music idiom (via work by composers such as Max Steiner, Erich Wolfgang Korngold, and their successors) bring late-romantic music to thousands of listeners who have never set foot in a concert hall. Reclaiming Late-Romantic Music sheds new light on these often unfairly disparaged works and explores the historical dimension of their continuing role in the contemporary sound world.

The Italian Traditions & Puccini

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Publisher : Indiana University Press
ISBN 13 : 0253001668
Total Pages : 439 pages
Book Rating : 4.65/5 ( download)

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Book Synopsis The Italian Traditions & Puccini by : Nicholas Baragwanath

Download or read book The Italian Traditions & Puccini written by Nicholas Baragwanath and published by Indiana University Press. This book was released on 2011-07-08 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice

Puccini's la Bohème

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Publisher : Oxford University Press, USA
ISBN 13 : 0190637889
Total Pages : 177 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Puccini's la Bohème by : Alexandra Wilson

Download or read book Puccini's la Bohème written by Alexandra Wilson and published by Oxford University Press, USA. This book was released on 2020 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: "La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera's rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals and more"--

Puccini's Turandot

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Publisher : Princeton University Press
ISBN 13 : 1400866677
Total Pages : 204 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis Puccini's Turandot by : William Ashbrook

Download or read book Puccini's Turandot written by William Ashbrook and published by Princeton University Press. This book was released on 2014-12-25 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, Bellini, Donizetti, and Verdi. In a summary of the sounds, sights, and symbolism of Turandot, the authors touch on earlier treatments of the subject, outline the conception, birth, and reception of the work, and analyze its coordinated dramatic and musical design. Showing how the evolution of the libretto documents Puccini's reversion to large musical forms typical of the Great Tradition in the late nineteenth century, they give particular attention to his use of contrasting Romantic, modernist, and two kinds of orientalist coloration in the general musical structure. They suggest that Puccini's inability to complete the opera resulted mainly from inadequate dramatic buildup for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character.

The Oxford Handbook of Opera

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Publisher : Oxford University Press
ISBN 13 : 0199714843
Total Pages : 1216 pages
Book Rating : 4.41/5 ( download)

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Book Synopsis The Oxford Handbook of Opera by : Helen M. Greenwald

Download or read book The Oxford Handbook of Opera written by Helen M. Greenwald and published by Oxford University Press. This book was released on 2014-10-03 with total page 1216 pages. Available in PDF, EPUB and Kindle. Book excerpt: What IS opera? Contributors to The Oxford Handbook of Opera respond to this deceptively simple question with a rich and compelling exploration of opera's adaption to changing artistic and political currents. Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators. The synergy of power, performance, and identity recurs thematically throughout the volume's major topics: Words, Music, and Meaning; Performance and Production; Opera and Society; and Transmission and Reception. Individual essays engage with repertoire from Monteverdi, Mozart, and Meyerbeer to Strauss, Henze, and Adams in studies of composition, national identity, transmission, reception, sources, media, iconography, humanism, the art of collecting, theory, analysis, commerce, singers, directors, criticism, editions, politics, staging, race, and gender. The title of the penultimate section, Opera on the Edge, suggests the uncertainty of opera's future: is opera headed toward catastrophe or have social and musical developments of the last hundred years stimulated something new and exciting, and, well, operatic? In an epilogue to the volume, a contemporary opera composer speaks candidly about opera composition today. The Oxford Handbook of Opera is an essential companion to scholars, educators, advanced students, performers, and knowledgeable listeners: those who simply love opera.

Reconfiguring Myth and Narrative in Contemporary Opera

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Publisher : Indiana University Press
ISBN 13 : 0253018056
Total Pages : 264 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis Reconfiguring Myth and Narrative in Contemporary Opera by : Yayoi Uno Everett

Download or read book Reconfiguring Myth and Narrative in Contemporary Opera written by Yayoi Uno Everett and published by Indiana University Press. This book was released on 2015-11-30 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Yayoi Uno Everett focuses on four operas that helped shape the careers of the composers Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun, which represent a unique encounter of music and production through what Everett calls "multimodal narrative." Aspects of production design, the mechanics of stagecraft, and their interaction with music and sung texts contribute significantly to the semiotics of operatic storytelling. Everett's study draws on Northrop Frye's theories of myth, Lacanian psychoanalysis via Slavoj i ek, Linda and Michael Hutcheon's notion of production, and musical semiotics found in Robert Hatten's concept of troping in order to provide original interpretive models for conceptualizing new operatic narratives.

Madama Butterfly/Madamu Batafurai

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Publisher : Cambridge University Press
ISBN 13 : 1009250671
Total Pages : 297 pages
Book Rating : 4.72/5 ( download)

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Book Synopsis Madama Butterfly/Madamu Batafurai by : Arthur Groos

Download or read book Madama Butterfly/Madamu Batafurai written by Arthur Groos and published by Cambridge University Press. This book was released on 2023-01-31 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines post-colonial issues in Madama Butterfly, the historical background, conflicted representation of the heroine, and controversial reception in Japan.