Music And The Crises Of The Modern Subject

Author : Michael L. Klein
Publisher : Indiana University Press
ISBN 13 : 025301722X
Total Pages : 208 pages
Book Rating : 4.22/5 ( download)

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Download or read book Music and the Crises of the Modern Subject written by Michael L. Klein and published by Indiana University Press. This book was released on 2015-07-06 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by "the subject" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity.

Author : Samuel Wilson
Publisher : Routledge
ISBN 13 : 1000405974
Total Pages : 182 pages
Book Rating : 4.72/5 ( download)

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Download or read book New Music and the Crises of Materiality written by Samuel Wilson and published by Routledge. This book was released on 2021-07-05 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world. Drawing on musicology, cultural theory, and philosophy, the author develops a critical understanding of musical bodies, objects, and the environments of their interaction. Music is grasped as something that both registers material changes in society whilst also enabling us to practice materiality differently.

Author : Timothy B. Cochran
Publisher : Routledge
ISBN 13 : 0429874685
Total Pages : 218 pages
Book Rating : 4.80/5 ( download)

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Download or read book Musical Sincerity and Transcendence in Film written by Timothy B. Cochran and published by Routledge. This book was released on 2021-08-17 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Sincerity and Transcendence in Film focuses on the ways filmmakers treat music reflexively—that is, draw attention to what it is and what it can do. Examining a wide range of movies from recent decades including examples from Indiewood, teen film, and blockbuster cinema, the book explores two recurring ideas about music implied by foregrounded musical activity on screen: that music can be a potent means of sincere expression and genuine human connection and that music can enable transcendence of disenchantment and the mundane. As an historical musicologist, Timothy Cochran explores these assumptions through analysis of musical style, aesthetic implications, and narrative strategy while treating the ideas as historically-grounded and culturally-situated with conceptual origins often lying outside of film. The book covers eclectic critical terrain to highlight various layers of musical sincerity and transcendence in film, including the nineteenth-century aesthetics of E.T.A. Hoffmann, David Foster Wallace’s literary resistance to irony (sometimes called the New Sincerity), strategies of self-revelation in singer-songwriter repertoires, Lionel Trilling’s distinction between sincerity and authenticity, theories of play, David Nye’s notion of the American technological sublime, and Svetlana Boym’s writings on nostalgia. These lenses reveal that film is a way of perpetuating, revising, and critiquing ideas about music and that music in film is a potent means of exploring broader social, emotional, and spiritual desires.

Author : Benedict Taylor
Publisher : Cambridge University Press
ISBN 13 : 1009178490
Total Pages : 381 pages
Book Rating : 4.95/5 ( download)

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Download or read book Music, Subjectivity, and Schumann written by Benedict Taylor and published by Cambridge University Press. This book was released on 2022-04-07 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-defined. Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and its effect on us. We may not be exactly sure what subjectivity is, but much of the reception of Western music over the last two centuries is premised upon it. Music, Subjectivity, and Schumann offers a critical examination of the notion of musical subjectivity and the first extended account of its applicability to one of the composers with whom it is most closely associated. Adopting a fluid and multivalent approach to a topic situated at the intersection of musicology, philosophy, literature, and cultural history, it seeks to provide a critical refinement of this idea and to elucidate both its importance and limits.

Author : Sarah Reichardt
Publisher : Routledge
ISBN 13 : 1351571354
Total Pages : 134 pages
Book Rating : 4.57/5 ( download)

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Download or read book Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich written by Sarah Reichardt and published by Routledge. This book was released on 2017-07-05 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the publication of Solomon Volkov's disputed memoirs of Dmitri Shostakovich, the composer and his music has been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. While much ink has been spilled, very little work has attempted to define how Shostakovich's music has remained so arresting not only to those within the Soviet culture, but also to Western audiences - even though such audiences are often largely ignorant of the compositional context or even the biography of the composer. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer‘s middle string quartets, especially those ambiguities located in moments of rupture within the musical structure. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, though perhaps interpretable as Shostakovich's own unique version of double-speak, also poignantly articulates the fractured state of a more general form of modern subjectivity. Reichardt employs the framework of Lacanian psychoanalysis to offer a cogent explanation of this connection between disruptive musical process and modern subjectivity. The ruptures of Shostakovich's music become symptoms of the pathologies at the core of modern subjectivity. These symptoms, in turn, relate to the Lacanian concept of the real, which is the empty kernel around which the modern subject constructs reality. This framework proves invaluable in developing a powerful, original hermeneutic understanding of the music. Read through the lens of the real, the riddles written into the quartets reveal the arbitrary and contingent state of the musical subject's constructed reality, reflecting pathologies ende

Author : Julian Murphet
Publisher : Oxford University Press
ISBN 13 : 0192863126
Total Pages : 289 pages
Book Rating : 4.26/5 ( download)

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Download or read book Modern Character written by Julian Murphet and published by Oxford University Press. This book was released on 2024-03-12 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.

Author : Polina Tambakaki
Publisher : Routledge
ISBN 13 : 1351995502
Total Pages : 318 pages
Book Rating : 4.04/5 ( download)

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Download or read book Music, Language and Identity in Greece written by Polina Tambakaki and published by Routledge. This book was released on 2019-09-23 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The national element in music has been the subject of important studies, yet the scholarly framework has remained restricted almost exclusively to the field of music studies. This volume brings together experts from different fields (musicology, literary theory and modern Greek studies), who investi- gate the links that connect music, language and national identity, focusing on the Greek paradigm. Through the study of the Greek case, the book paves the way for innovative interdisciplinary approaches to the formation of the ‘national’ in different cultures, shedding new light on ideologies and mechanisms of cultural policies.

Author : Violetta Kostka
Publisher : Routledge
ISBN 13 : 1000397327
Total Pages : 233 pages
Book Rating : 4.21/5 ( download)

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Download or read book Intertextuality in Music written by Violetta Kostka and published by Routledge. This book was released on 2021-06-17 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music.

Author : Esti Sheinberg
Publisher : Routledge
ISBN 13 : 1351237519
Total Pages : 437 pages
Book Rating : 4.12/5 ( download)

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Download or read book The Routledge Handbook of Music Signification written by Esti Sheinberg and published by Routledge. This book was released on 2020-03-17 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.

Author : Rob C. Wegman
Publisher : Routledge
ISBN 13 : 1135923248
Total Pages : 266 pages
Book Rating : 4.42/5 ( download)

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Download or read book The Crisis of Music in Early Modern Europe, 1470-1530 written by Rob C. Wegman and published by Routledge. This book was released on 2005-09-12 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the final decades of the fifteenth-century, the European musical world was shaken to its foundations by the onset of a veritable culture war on the art of polyphony. Now in paperback, The Crisis of Music in Early Modern Europe tells the story of this cultural upheaval, drawing on a wide range of little-known texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe.