Music in Renaissance Magic

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Publisher : University of Chicago Press
ISBN 13 : 9780226807928
Total Pages : 318 pages
Book Rating : 4.24/5 ( download)

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Book Synopsis Music in Renaissance Magic by : Gary Tomlinson

Download or read book Music in Renaissance Magic written by Gary Tomlinson and published by University of Chicago Press. This book was released on 1993 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature

Renaissance Magic and the Return of the Golden Age

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Author :
Publisher : U of Nebraska Press
ISBN 13 : 9780803281790
Total Pages : 340 pages
Book Rating : 4.9X/5 ( download)

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Book Synopsis Renaissance Magic and the Return of the Golden Age by : John S. Mebane

Download or read book Renaissance Magic and the Return of the Golden Age written by John S. Mebane and published by U of Nebraska Press. This book was released on 1992-01-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In Renaissance Magic and the Return of the Golden Age John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.

Eros and Magic in the Renaissance

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Publisher : University of Chicago Press
ISBN 13 : 0226123162
Total Pages : 286 pages
Book Rating : 4.65/5 ( download)

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Book Synopsis Eros and Magic in the Renaissance by : Ioan P. Culianu

Download or read book Eros and Magic in the Renaissance written by Ioan P. Culianu and published by University of Chicago Press. This book was released on 1987-11-15 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.

The Cambridge History of Sixteenth-Century Music

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Publisher : Cambridge University Press
ISBN 13 : 1108671276
Total Pages : 732 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis The Cambridge History of Sixteenth-Century Music by : Iain Fenlon

Download or read book The Cambridge History of Sixteenth-Century Music written by Iain Fenlon and published by Cambridge University Press. This book was released on 2019-01-24 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.

Music and the Exotic from the Renaissance to Mozart

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Publisher : Cambridge University Press
ISBN 13 : 1316298205
Total Pages : 473 pages
Book Rating : 4.06/5 ( download)

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Book Synopsis Music and the Exotic from the Renaissance to Mozart by : Ralph P. Locke

Download or read book Music and the Exotic from the Renaissance to Mozart written by Ralph P. Locke and published by Cambridge University Press. This book was released on 2015-05-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.

Marsilio Ficino

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Publisher : North Atlantic Books
ISBN 13 : 1556435606
Total Pages : 273 pages
Book Rating : 4.07/5 ( download)

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Book Synopsis Marsilio Ficino by : Angela Voss

Download or read book Marsilio Ficino written by Angela Voss and published by North Atlantic Books. This book was released on 2006-12-19 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marsilio Ficino was one of the most influential humanist philosophers of the early Italian Renaissance. Though an ordained priest, he was also a practicing astrologer and magician whose daunting life’s work was to reconcile religious faith with philosophical reason — which included integrating pagan magical practice with Christianity. In a lengthy introduction, editor Angela Voss puts Ficino’s achievement in context as a complete re-visioning of traditional astrological practice and the beginning of a humanistic and psychological approach that prefigured contemporary holistic approaches to astrology as therapy.

Renaissance Magic and Hermeticism in the Shakespeare Sonnets

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Author :
Publisher : Edwin Mellen Press
ISBN 13 :
Total Pages : 200 pages
Book Rating : 4.39/5 ( download)

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Book Synopsis Renaissance Magic and Hermeticism in the Shakespeare Sonnets by : Thomas O. Jones

Download or read book Renaissance Magic and Hermeticism in the Shakespeare Sonnets written by Thomas O. Jones and published by Edwin Mellen Press. This book was released on 1995 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: It explores how the influence of Giordano Bruno's Heroic Enthusiasms, Plato's Symposium, Trismegistus' Corpus Hermiticum, emblem books, and Italian "magic" in its various overlapping forms provided the foundation and content of Shakespeare's sonnets. Contains a concise history of the 200-year detective search to locate historical persons to match the unnamed beloveds of Shakespeare's sonnets.

Hermeneutics and Music Criticism

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Publisher : Routledge
ISBN 13 : 1135839255
Total Pages : 213 pages
Book Rating : 4.53/5 ( download)

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Book Synopsis Hermeneutics and Music Criticism by : Roger W. H. Savage

Download or read book Hermeneutics and Music Criticism written by Roger W. H. Savage and published by Routledge. This book was released on 2009-09-10 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluates our current understandings of music’s transformative power. The engagement with critical musicologists and philosophers, including Adorno, Gadamer, and Ricoeur, provides a nuanced analysis of the crucial issues affecting the theory and practice of music criticism. By challenging musical hermeneutics’ deployment as a means of deciphering social values and meanings, Hermeneutics and Music Criticism offers an answer to the long-standing question of how music’s expression of moods and feelings affects us and our relation to the world.

The Cambridge History of Western Music Theory

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Publisher : Cambridge University Press
ISBN 13 : 1316025489
Total Pages : pages
Book Rating : 4.82/5 ( download)

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Book Synopsis The Cambridge History of Western Music Theory by : Thomas Christensen

Download or read book The Cambridge History of Western Music Theory written by Thomas Christensen and published by Cambridge University Press. This book was released on 2006-04-20 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

Music and Historical Critique

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Author :
Publisher : Routledge
ISBN 13 : 1351557769
Total Pages : 417 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis Music and Historical Critique by : Gary Tomlinson

Download or read book Music and Historical Critique written by Gary Tomlinson and published by Routledge. This book was released on 2017-07-05 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Historical Critique provides a definitive collection of Gary Tomlinson's influential studies on critical musicology, with the watchword throughout being history. This collection gathers his most innovative essays and lectures, some of them published here for the first time, along with an introduction outlining the context of the contributions and commenting on their aims and significance. Music and Historical Critique provides a retrospective view of the author's achievements in bringing to the heart of musicological discourse both deep-seated experiences of the past and meditations on the historian's ways of understanding them.