Performance Practice

Author : Sandra P. Rosenblum
Publisher : Indiana University Press
ISBN 13 : 9780253206800
Total Pages : 0 pages
Book Rating : 4.04/5 ( download)

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Download or read book Performance Practices in Classic Piano Music written by Sandra P. Rosenblum and published by Indiana University Press. This book was released on 1988-11-22 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." —American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." —Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." —Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." —The Musical Times "Its importance to thoughtful musicians cannot be overstated." —Choice " . . . thoroughly musicological." —Performance Practice Review " . . . indispensable . . . " —New York Times

Author : Howard Mayer Brown
Publisher : W. W. Norton
ISBN 13 : 9780393028072
Total Pages : 281 pages
Book Rating : 4.70/5 ( download)

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Download or read book Performance Practice: Music before 1600 written by Howard Mayer Brown and published by W. W. Norton. This book was released on 1990 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook, an entirely new work, is not simply another guide to the performance of music of the past; it is, rather, a book about the study of past performance. Each main section - Medieval, Renaissance, Baroque, Classical, Romantic, and Twentieth Century - contains an introduction dealing with contexts of performance as well as sources and theory. This is followed by detailed discussions of vocal and instrumental performance.

Author : Roland Jackson
Publisher : Routledge
ISBN 13 : 1136767703
Total Pages : 542 pages
Book Rating : 4.08/5 ( download)

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Download or read book Performance Practice written by Roland Jackson and published by Routledge. This book was released on 2013-10-23 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.

Author : Janek Gwizdala
Publisher :
ISBN 13 :
Total Pages : 230 pages
Book Rating : 4.04/5 ( download)

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Download or read book From Practice to Performance written by Janek Gwizdala and published by . This book was released on 2020-11-20 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every bassist practices things like warm-ups, exercises, and new vocabulary. But how do you translate these concepts and techniques into your playing? From Practice to Performance will guide you through a tried-and-true process of transforming the elements of your practice routine into real, inspired music. The book is split into two parts: the first includes 30 exercises in all twelve keys, plus an in-depth look at how to construct a productive practice schedule utilizing this new vocabulary. Part Two puts these exercises into context, explaining precisely how to use them over various chord changes, with harmonic analysis and specialized tips from world-renowned bassist Janek Gwizdala. From Practice to Performance will not only transform your technique, your vocabulary, and how you practice, but it will revolutionize how effectively you can turn your hard work into real results as a performer. Along with a complete video master-class that provides a deeper understanding of the book's content, we're including highly polished play-alongs that will allow you to put all of these concepts into action immediately. The book also comes complete with TAB for each exercise in every key.

Author : Robert L. Garretson
Publisher : Pearson
ISBN 13 :
Total Pages : 262 pages
Book Rating : 4.14/5 ( download)

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Download or read book Choral Music written by Robert L. Garretson and published by Pearson. This book was released on 1993 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Takes the reader through an enlightening tour of choral music, emphasizing on the musical style performance practice of different historical periods. The reference provides guidelines on the numerous aspects of performance practice for choral music based on the Renaissance Period, the Baroque Period, the Classical period, the Romantic period, and the Modern Period, with special emphasis on meter and stress, tempo, dynamics, tone quality, pitch, texture, and expressive aspects of the music of each period. Appropriate for Junior/Graduate-level courses in Choral Conducting and Literature..

Author : Roland Jackson
Publisher : Routledge
ISBN 13 : 113676769X
Total Pages : 552 pages
Book Rating : 4.92/5 ( download)

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Download or read book Performance Practice written by Roland Jackson and published by Routledge. This book was released on 2013-10-23 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.

Author : Dennis Shrock
Publisher : G I A Publications
ISBN 13 : 9781579997991
Total Pages : 454 pages
Book Rating : 4.96/5 ( download)

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Download or read book Performance Practices in the Classical Era written by Dennis Shrock and published by G I A Publications. This book was released on 2011 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Classical era, from 1751 to the 1830s and beyond, is one of the most revolutionary and creative times in the history of music. However, critical details about the performance of music during this extraordinary time have too often been lost to generations of re-interpretation, opinionated colorings, and changes in fashion and taste. In this remarkable volume, noted scholar and choral conductor, Dennis Shrock brings together in one place writings from more than 100 Classical-era authors and composers about performance practices of music during their time. These primary sources represent the entire time span of the Classical era, writings from throughout Europe and the United States, and details on virtually every type of performing medium and genre of composition common in the era. Dr. Shrock quotes from diaries, instruction books, dictionaries, letters, biographies, and essays all written during the eighteenth and early nineteenth centuries. Dr. Shrock organizes all of these comments - complete with detailed music examples - in sections devoted to sound, tempo, articulation and phrasing, metric accentuation, rhythmic alteration, ornamentation, and expression. What emerges is an insightful and colorful portrait certain to assist anyone who seeks to better understand the music of Mozart, Haydn, and other noted composers. Performance Practices in the Classical Era is a vital resource for any conductor, performer, or aficionado of classical music.

Author : Noyale Colin
Publisher : Springer
ISBN 13 : 1137462469
Total Pages : 311 pages
Book Rating : 4.66/5 ( download)

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Download or read book Collaboration in Performance Practice written by Noyale Colin and published by Springer. This book was released on 2016-04-29 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collaboration between artists has been practised for centuries, yet over recent decades the act of collaborating has taken different meanings. This publication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Leading scholars and practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at the beginning of the twenty-first century. Key questions addressed include how artists are developing new ways of working together in response to contemporary economic trends, the significance of collaborating across culture and what opportunities are apparent when co-working between genres and disciplines. Noyale Colin and Stefanie Sachsenmaier present these perspectives in three thematic sections which interrogate the premises of collective intentions, the working strategies of current practitioners, as well as the role of failure and compromise in collaborative modes of creative work. This volume is an invaluable resource for scholars, practitioners and those interested in contemporary artistic methods of working.

Author : Jim Davis
Publisher : Routledge
ISBN 13 : 1351938304
Total Pages : 539 pages
Book Rating : 4.03/5 ( download)

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Download or read book European Theatre Performance Practice, 1750–1900 written by Jim Davis and published by Routledge. This book was released on 2016-12-05 with total page 539 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.

Author : Alice O'Grady
Publisher : Springer
ISBN 13 : 3319632426
Total Pages : 264 pages
Book Rating : 4.21/5 ( download)

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Download or read book Risk, Participation, and Performance Practice written by Alice O'Grady and published by Springer. This book was released on 2017-11-17 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research and draws them into conversation with next generation academic-practitioners in a dynamic reappraisal of what it means to risk oneself through the act of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before.