Picasso Et Les Femmes

Author : Pablo Picasso
Publisher : Dumont
ISBN 13 :
Total Pages : 428 pages
Book Rating : 4.89/5 ( download)

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Download or read book Picasso Et Les Femmes written by Pablo Picasso and published by Dumont. This book was released on 2002 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edited by Ingrid Mussinger, Beate Ritter and Kerstin Drechsel, Essays by Johannes M. Fox, Norman Mailer, Pierre Daix, Amanda Vail and John Richardson.

Author :
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.17/5 ( download)

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Download or read book Picasso Et Les Femmes written by and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Ingrid Mössinger
Publisher :
ISBN 13 :
Total Pages : 411 pages
Book Rating : 4.61/5 ( download)

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Download or read book Picasso Et Les Femmes written by Ingrid Mössinger and published by . This book was released on 2010 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Andrew Brink
Publisher : Peter Lang
ISBN 13 : 9780820497211
Total Pages : 226 pages
Book Rating : 4.15/5 ( download)

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Download or read book Desire and Avoidance in Art written by Andrew Brink and published by Peter Lang. This book was released on 2007 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Desire and Avoidance in Art argues that while early developmental traumas can produce life-long creative endeavors with striking aesthetic results, they may also, for the male artist, result in destructive relations with women. Brink introduces the scheme of personality formation - as found in the work on infant and child development of John Bowlby, Mary Ainsworth, Mary Main, Patricia Crittenden, Allen N. Schore, and others - to explore a new venture in psychobiography. He effectively uses the concept of «anxious attachment» to describe mother-infant/child relations and their sequelae. Using pertinent developmental data found in each artist's childhood, Andrew Brink accounts for the anxious-avoidant attachment style (or, in Crittenden's terminology, the Anxious/Controlling style) from which these artists suffered. He aims to explain why partnerships with women are sometimes hazardous and frequently tragic for male artists by referencing various feminist writers. Based on their viewpoints, Brink extracts psychodynamic explanations that are largely based on what the artists' imagery reveals. Furthermore, he explains how the attachment theory of attraction-avoidance is shown to supplement and enrich other ways of understanding chronically tense relations between the sexes. Brink focuses his attention on artists such as Picasso, Bellmer, Balthus, and Cornell, who are culturally powerful and often stimulate discussion about misogynic figures within a social context.

Author : Deborah Wye
Publisher : The Museum of Modern Art
ISBN 13 : 9780870707803
Total Pages : 204 pages
Book Rating : 4.09/5 ( download)

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Download or read book A Picasso Portfolio written by Deborah Wye and published by The Museum of Modern Art. This book was released on 2010 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published on the occasion of the exhibition "Picasso: Themes and Variations" held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010.

Author : Dr Enrique Mallen
Publisher : Liverpool University Press
ISBN 13 : 1782847197
Total Pages : 384 pages
Book Rating : 4.99/5 ( download)

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Download or read book Pablo Picasso and Dora Maar written by Dr Enrique Mallen and published by Liverpool University Press. This book was released on 2021-03-12 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Pablo Picasso spotted Dora Maar at a cafe in January 1936 it is highly likely that she had come to his attention prior. As Brassaï, a Hungarian-French photographer, recalled, 'It was at Les Deux-Magots that, one day in autumn 1935, [he] met Dora. On an earlier day, he had already noticed the grave, drawn face of the young woman at a nearby table, the attentive look in her light-colored eyes, sometimes disturbing in its fixity. When Picasso saw her in the same cafe in the company of the surrealist poet Paul Éluard, who knew her, the poet introduced her to Picasso' (Brassaï, a.k.a. Gyula Halász, Conversations with Picasso [University of Chicago Press, 1999]). Tinged with a seductive mix of violence and dark eroticism, this first meeting has attained mythical status in the story of the artist's life. It reads like an unreal fantasy. A mysterious and feline beauty, which Man Ray had captured in the pictures he took of her, a companion of Georges Bataille, Dora was an accomplished photographer, close to the Surrealists revolutionary aesthetics. Picasso addressed her in French, which he assumed to be her language; she replied in Spanish, which she knew to be his. For the next decade, the painter would translate not just his fascination with the woman who had seduced him on the spot, but also his desire to escape the grip of someone who, for the first time, could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur, a Sphinx, a lunar goddess and a muse. Because of her intense artistic sensibility, her poetic gifts and her ability to participate in suffering, she was especially qualified to resonate Picasso's own inner torments during these troubled years.

Author : Anne Baldassari
Publisher : Flammarion-Pere Castor
ISBN 13 :
Total Pages : 370 pages
Book Rating : 4.23/5 ( download)

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Download or read book Picasso written by Anne Baldassari and published by Flammarion-Pere Castor. This book was released on 2006 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dora Maar, famous for her relationship with Picasso, was a talented artist in her own right. She initially studied painting, but soon found a passion and gift for photography. This book sets the lives and work of these two artists within the context of major historical events of the time, bringing a legend to life, and allowing the reader unique access to two artistic minds.

Author : Vincent Giroud
Publisher : Metropolitan Museum of Art
ISBN 13 : 1588392104
Total Pages : 57 pages
Book Rating : 4.07/5 ( download)

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Download or read book Picasso and Gertrude Stein written by Vincent Giroud and published by Metropolitan Museum of Art. This book was released on 2006 with total page 57 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Portrait of Gertrude Stein was the first major work by Pablo Picasso to enter The Metropolitan Museum of Art, bequeathed by Stein herself in 1946. A century after it was painted, this portrait remains one of the most powerful images of early-20th-century modernism. What was to be a lifelong friendship was but a few months old in the spring of 1906, when Picasso began his portrait of Stein. He was 24 years old at the time and she was 32, and both of their careers were at a critical stage. This engaging book recounts the extraordinary circumstances that led to Stein's first posing session and argues that the portrait played a key role not only in Picasso's work as a painter but also in his subject's creative life, as he became, in turn, the subject of several of Stein's literary portraits.

Author : Dr Enrique Mallen
Publisher : Liverpool University Press
ISBN 13 : 1782847952
Total Pages : 419 pages
Book Rating : 4.53/5 ( download)

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Download or read book Pablo Picasso written by Dr Enrique Mallen and published by Liverpool University Press. This book was released on 2023-03-18 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exactly when Matisse and Picasso first met is open to debate. Their earliest encounter may have taken place during the Matisse retrospective at Galerie Druet right before the 1906 Salon des Indépendants. The latter marked the first time all the Fauves exhibited together. The centerpiece was Matisse’s monumental Le bonheur de vivre. Leo Stein bought the painting while the Salon was still running, regarding it as “the most important work of our time.” This opinion undoubtedly annoyed Picasso. Jealousy of the other man’s success goaded him to greater innovations. In his view, the new art would have to match the sense of endless discovery that science and technology were offering. The 1900 “Exposition Universelle” had already shown the latest marvels in engineering. If painting wanted to keep the public’s attention, instead of merely reproducing what the eye saw, it had to generate its own reality on the surface of the canvas, a reality more vivid than, and bearing only the most cursory resemblance to, anything found in nature. Matisse was also a catalyst in that he was the one who introduced Picasso to African sculptures. Max Jacob recalls: “Matisse took a black, wooden statuette from a table and showed it to Picasso. It was the first piece of Negro wooden art. Picasso held onto it all evening. The next morning, when I arrived at the studio, the floor was strewn with sheets of paper, and on each sheet was drawn the head of a woman; all of them were more or less the same: one eye, an oversized nose attached to the mouth, and a lock of hair on the shoulders. Cubism was thus born” (cited in Janine Warnod, Washboat Days [New York: Grossman Publishers Warnod, 1972, p. 128]).

Author : Suzanne Preston Blier
Publisher : Duke University Press
ISBN 13 : 1478002042
Total Pages : 625 pages
Book Rating : 4.48/5 ( download)

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Download or read book Picasso's Demoiselles written by Suzanne Preston Blier and published by Duke University Press. This book was released on 2019-12-13 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.