Remixology

Author : Paul Sullivan
Publisher : Reaktion Books
ISBN 13 : 1780232101
Total Pages : 224 pages
Book Rating : 4.02/5 ( download)

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Download or read book Remixology written by Paul Sullivan and published by Reaktion Books. This book was released on 2013-10-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dub is the avant-garde verso of reggae, created by manipulating and reshaping recordings using studio strategies and techniques. While dub was one of the first forms of popular music to turn the idea of song inside out, it is far from being fully explored. Tracing the evolution of dub, Remixology travels from Kingston, Jamaica, across the globe, following dub’s influence on the development of the MC, the birth of sound system culture, and the postwar Jamaican diaspora. Starting in 1970s Kingston, Paul Sullivan examines the origins of dub as a genre, approach, and attitude. He stops off in London, Berlin, Toronto, Bristol, and New York, exploring those places where dub had the most impact and investigates its effect on postpunk, dub-techno, jungle, and the dubstep. Along the way, Sullivan speaks with a host of international musicians, DJs, and luminaries of the dub world, from DJ Spooky, Adrian Sherwood, Channel, and Roy to Shut Up and Dance and Roots Manuva. Wide-ranging and lucid, Remixology sheds new light on the dub-born notions of remix and reinterpretation that set the stage for the music of the twenty-first century.

Author : David J. Gunkel
Publisher : MIT Press
ISBN 13 : 0262546531
Total Pages : 241 pages
Book Rating : 4.39/5 ( download)

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Download or read book Of Remixology written by David J. Gunkel and published by MIT Press. This book was released on 2022-11-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new theory of moral and aesthetic value for the age of remix, going beyond the usual debates over originality and appropriation. Remix—or the practice of recombining preexisting content—has proliferated across media both digital and analog. Fans celebrate it as a revolutionary new creative practice; critics characterize it as a lazy and cheap (and often illegal) recycling of other people's work. In Of Remixology, David Gunkel argues that to understand remix, we need to change the terms of the debate. The two sides of the remix controversy, Gunkel contends, share certain underlying values—originality, innovation, artistic integrity. And each side seeks to protect these values from the threat that is represented by the other. In reevaluating these shared philosophical assumptions, Gunkel not only provides a new way to understand remix, he also offers an innovative theory of moral and aesthetic value for the twenty-first century. In a section called “Premix,” Gunkel examines the terminology of remix (including “collage,” “sample,” “bootleg,” and “mashup”) and its material preconditions, the technology of recording. In “Remix,” he takes on the distinction between original and copy; makes a case for repetition; and considers the question of authorship in a world of seemingly endless recompiled and repurposed content. Finally, in “Postmix,” Gunkel outlines a new theory of moral and aesthetic value that can accommodate remix and its cultural significance, remixing—or reconfiguring and recombining—traditional philosophical approaches in the process.

Author : D. A. Carson
Publisher : Wipf and Stock Publishers
ISBN 13 : 1625649576
Total Pages : 262 pages
Book Rating : 4.77/5 ( download)

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Download or read book Themelios, Volume 37, Issue 2 written by D. A. Carson and published by Wipf and Stock Publishers. This book was released on 2015-01-27 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian Tabb, Bethlehem College and Seminary Consulting Editor: Michael J. Ovey, Oak Hill Theological College Administrator: Andrew David Naselli, Bethlehem College and Seminary Book Review Editors: Jerry Hwang, Singapore Bible College; Alan Thompson, Sydney Missionary & Bible College; Nathan A. Finn, Southeastern Baptist Theological Seminary; Hans Madueme, Covenant College; Dane Ortlund, Crossway; Jason Sexton, Golden Gate Baptist Seminary Editorial Board: Gerald Bray, Beeson Divinity School Lee Gatiss, Wales Evangelical School of Theology Paul Helseth, University of Northwestern, St. Paul Paul House, Beeson Divinity School Ken Magnuson, The Southern Baptist Theological Seminary Jonathan Pennington, The Southern Baptist Theological Seminary James Robson, Wycliffe Hall Mark D. Thompson, Moore Theological College Paul Williamson, Moore Theological College Stephen Witmer, Pepperell Christian Fellowship Robert Yarbrough, Covenant Seminary

Author : Scott Haden Church
Publisher : MSU Press
ISBN 13 : 1628954507
Total Pages : 335 pages
Book Rating : 4.00/5 ( download)

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Download or read book Turntables and Tropes written by Scott Haden Church and published by MSU Press. This book was released on 2022-03-01 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: The creative practice of remix is essential to contemporary culture, as the proliferation of song mashups, political remix videos, memes, and even streaming television shows like Stranger Things demonstrates. Yet remix is not an exclusively digital practice, nor is it even a new one, as there is evidence of remix in the speeches of classical Greek and Roman orators. Turntables and Tropes is the first book to address remix from a communicative perspective, examining its persuasive dimensions by locating its parallels with classical rhetoric. Through identifying, recontextualizing, mashing up, and applying rhetorical tropes to contemporary digital texts and practices, this groundbreaking book presents a new critical vocabulary that scholars and students can use to analyze remix. Building upon scholarship from classical thinkers such as Isocrates, Quintilian, Nāgārjuna, and Cicero and contemporary luminaries like Kenneth Burke, Richard Lanham, and Eduardo Navas, Scott Haden Church shows that an understanding of rhetoric offers innovative ways to make sense of remix culture.

Author : Simon Reynolds
Publisher : Routledge
ISBN 13 : 1136783172
Total Pages : 482 pages
Book Rating : 4.73/5 ( download)

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Download or read book Generation Ecstasy written by Simon Reynolds and published by Routledge. This book was released on 2013-06-19 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the continuum of hardcore that runs from the most machinized forms of house music through British and European rave styles like bleep-and-bass, breakbeat house, Belgian hardcore, jungle, gabba, speed garage, and big beat.

Author : Mark Amerika
Publisher :
ISBN 13 :
Total Pages : 313 pages
Book Rating : 4.21/5 ( download)

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Download or read book Remixthebook written by Mark Amerika and published by . This book was released on 2011 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Scott Haden Church
Publisher :
ISBN 13 : 9781611864083
Total Pages : 248 pages
Book Rating : 4.89/5 ( download)

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Download or read book Turntables and Tropes written by Scott Haden Church and published by . This book was released on 2022-03 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: The creative practice of remix is essential to contemporary culture, as the proliferation of song mashups, political remix videos, memes, and even streaming television shows like Stranger Things demonstrates. Yet remix is not an exclusively digital practice, nor is it even a new one, as there is evidence of remix in the speeches of classical Greek and Roman orators. Turntables and Tropes is the first book to address remix from a communicative perspective, examining its persuasive dimensions by locating its parallels with classical rhetoric.

Author : Mark Amerika
Publisher : U of Minnesota Press
ISBN 13 : 0816676143
Total Pages : 332 pages
Book Rating : 4.49/5 ( download)

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Download or read book Remix the Book written by Mark Amerika and published by U of Minnesota Press. This book was released on 2011 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A model of contemporary remixing and a groundbreaking reflection on digital media

Author : Simon Reynolds
Publisher : Catapult
ISBN 13 : 1593764774
Total Pages : 630 pages
Book Rating : 4.77/5 ( download)

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Download or read book Energy Flash written by Simon Reynolds and published by Catapult. This book was released on 2012-03-01 with total page 630 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s. England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon. Read on, and learn why is nitrous oxide is called “hippy crack.”

Author : Margie Borschke
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501318942
Total Pages : 192 pages
Book Rating : 4.48/5 ( download)

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Download or read book This is Not a Remix written by Margie Borschke and published by Bloomsbury Publishing USA. This book was released on 2017-08-10 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet. Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the vinyl, tape and acetate that early disco DJs used to create remixes to the mp3 blogs and vinyl revivalists of the 21st century. This is Not A Remix challenges claims that 'remix culture' is a substantially new set of innovations and highlights the continuities and contradictions of the Internet era. Through an historical focus on copy as a property and practice, This Is Not a Remix focuses on questions about the materiality of media, its use and the aesthetic dimensions of reproduction and circulation in digital networks. Through a close look at sometimes illicit forms of composition-including remixes, edits, mashup, bootlegs and playlists-Borschke ponders how and why ideals of authenticity persist in networked cultures where copies and copying are ubiquitous and seemingly at odds with romantic constructions of authorship. By teasing out unspoken assumptions about media and culture, this book offers fresh perspectives on the cultural politics of intellectual property in the digital era and poses questions about the promises, possibilities and challenges of network visibility and mobility.