Russians In Hollywood Hollywoods Russians

Author : Harlow Robinson
Publisher : UPNE
ISBN 13 : 9781555536862
Total Pages : 340 pages
Book Rating : 4.67/5 ( download)

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Download or read book Russians in Hollywood, Hollywood's Russians written by Harlow Robinson and published by UPNE. This book was released on 2007 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of Russian emigres in Hollywood and the depiction of Russians in Hollywood films

Author : George Martin Day
Publisher :
ISBN 13 :
Total Pages : 130 pages
Book Rating : 4.76/5 ( download)

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Download or read book The Russians in Hollywood written by George Martin Day and published by . This book was released on 1934 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Tatiana Prorokova-Konrad
Publisher : Univ. Press of Mississippi
ISBN 13 : 1496831136
Total Pages : 264 pages
Book Rating : 4.32/5 ( download)

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Download or read book Cold War II written by Tatiana Prorokova-Konrad and published by Univ. Press of Mississippi. This book was released on 2020-12-15 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.

Author : Choi Chatterjee
Publisher : Routledge
ISBN 13 : 0415893410
Total Pages : 246 pages
Book Rating : 4.11/5 ( download)

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Download or read book Americans Experience Russia written by Choi Chatterjee and published by Routledge. This book was released on 2013 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Americans Experience Russia analyzes how American scholars, journalists, and artists experienced and interpreted Russia/the Soviet Union over the last century. It critically engages with postcolonial theories which posit that a self-valorizing, unmediated west dictated the colonial encounter. In examining the fiction, film, journalism, treatises, and histories Americans produced out of their 'Russian experience, ' this volume closely analyzes these texts, locates them in their sociopolitical context, and gauges how their producers' profession, politics, gender, class, and interaction with native Russian interpreters conditioned their authored responses to Russian/Soviet reality.

Author : Franz, Norbert P.
Publisher : Universitätsverlag Potsdam
ISBN 13 : 3869564903
Total Pages : 208 pages
Book Rating : 4.06/5 ( download)

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Download or read book Hollywood – a Challenge for the Soviet Cinema written by Franz, Norbert P. and published by Universitätsverlag Potsdam. This book was released on 2020 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book features four essays that illuminate the relationship between American and Soviet film cultures in the 20th century. The first essay emphasizes the structural similarities and dissimilarities of the two cultures. Both wanted to reach the masses. However, the goal in Hollywood was to entertain (and educate a little) and in Moscow to educate (and entertain a little). Some films in the Soviet Union as well as in the United States were conceived as clear competition to one another – as the second essay demonstrates – and the ideological opponent was not shown from its most advantageous side. The third essay shows how, in the 1980s, the different film cultures made it difficult for the Soviet director Andrei Konchalovsky to establish himself in the US, but nevertheless allowed him to succeed. In the 1960s, a genre became popular that tells the story of the Russian Civil War using stylistic features of the Western: The Eastern. Its rise and decline are analyzed in the fourth essay.

Author : Julia L. Mickenberg
Publisher : University of Chicago Press
ISBN 13 : 022625626X
Total Pages : 436 pages
Book Rating : 4.69/5 ( download)

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Download or read book American Girls in Red Russia written by Julia L. Mickenberg and published by University of Chicago Press. This book was released on 2017-04-25 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: If you were an independent, adventurous, liberated American woman in the 1920s or 1930s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia L. Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and artists, as well as curious travelers. Some were famous, like Isadora Duncan or Lillian Hellman; some were committed radicals, though more were just intrigued by the “Soviet experiment.” But all came to Russia in search of social arrangements that would be more equitable, just, and satisfying. And most in the end were disillusioned, some by the mundane realities, others by horrifying truths. Mickenberg reveals the complex motives that drew American women to Russia as they sought models for a revolutionary new era in which women would be not merely independent of men, but also equal builders of a new society. Soviet women, after all, earned the right to vote in 1917, and they also had abortion rights, property rights, the right to divorce, maternity benefits, and state-supported childcare. Even women from Soviet national minorities—many recently unveiled—became public figures, as African American and Jewish women noted. Yet as Mickenberg’s collective biography shows, Russia turned out to be as much a grim commune as a utopia of freedom, replete with economic, social, and sexual inequities. American Girls in Red Russia recounts the experiences of women who saved starving children from the Russian famine, worked on rural communes in Siberia, wrote for Moscow or New York newspapers, or performed on Soviet stages. Mickenberg finally tells these forgotten stories, full of hope and grave disappointments.

Author : Birgit Beumers
Publisher : John Wiley & Sons
ISBN 13 : 1118424700
Total Pages : 672 pages
Book Rating : 4.04/5 ( download)

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Download or read book A Companion to Russian Cinema written by Birgit Beumers and published by John Wiley & Sons. This book was released on 2016-05-17 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected

Author : M.B.B. Biskupski
Publisher : University Press of Kentucky
ISBN 13 : 0813173523
Total Pages : 391 pages
Book Rating : 4.28/5 ( download)

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Download or read book Hollywood's War with Poland, 1939-1945 written by M.B.B. Biskupski and published by University Press of Kentucky. This book was released on 2010-01-08 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.

Author : V. Hohman
Publisher : Springer
ISBN 13 : 0230119905
Total Pages : 209 pages
Book Rating : 4.01/5 ( download)

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Download or read book Russian Culture and Theatrical Performance in America, 1891-1933 written by V. Hohman and published by Springer. This book was released on 2011-08-29 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.

Author : Natalie K. Zelensky
Publisher : Indiana University Press
ISBN 13 : 0253041228
Total Pages : 237 pages
Book Rating : 4.27/5 ( download)

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Download or read book Performing Tsarist Russia in New York written by Natalie K. Zelensky and published by Indiana University Press. This book was released on 2019-04-24 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan’s Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World’s Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today’s Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, author Natalie K. Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music’s sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Zelensky presents a close historical and ethnographic examination of music’s potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.