Steven Berkoff And The Theatre Of Self Performance

Author : Robert Cross
Publisher : Manchester University Press
ISBN 13 : 9780719062544
Total Pages : 258 pages
Book Rating : 4.43/5 ( download)

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Download or read book Steven Berkoff and the Theatre of Self-Performance written by Robert Cross and published by Manchester University Press. This book was released on 2004-04-17 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Steven Berkoff is a playwright, director and actor largely disregarded by theater scholars. Since the 1960s, however, this notorious Cockney enfant terrible and "scourge of the Shakespeare industry" has left an imprint on modern British theatre that has been as impossible to ignore as his in-your-face stage presence. Steven Berkoff and the Theatre of Self-Performance, the first thorough and in-depth study of this contentious artist, examines the wide-ranging strategies adopted by Berkoff in the construction and projection of his larger-than-life public persona.

Author : Jeanette R. Malkin
Publisher : Bloomsbury Publishing
ISBN 13 : 1350135984
Total Pages : 273 pages
Book Rating : 4.87/5 ( download)

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Download or read book A Companion to British-Jewish Theatre Since the 1950s written by Jeanette R. Malkin and published by Bloomsbury Publishing. This book was released on 2021-03-25 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies.

Author : Ayse Tashkiran
Publisher : Bloomsbury Publishing
ISBN 13 : 1350054488
Total Pages : 241 pages
Book Rating : 4.86/5 ( download)

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Download or read book Movement Directors in Contemporary Theatre written by Ayse Tashkiran and published by Bloomsbury Publishing. This book was released on 2020-06-11 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.' - Joan Iyiola Movement directors work with the physical, living bodies at the heart of theatre productions, creating movement languages with actors and directors. Through a series of in-depth interviews with leading theatre practitioners, Ayse Tashkiran charts the growth of the movement director in contemporary theatre. The voices of Jane Gibson, Sue Lefton, Kate Flatt, Toby Sedgwick, Siân Williams, Struan Leslie, Ellen Kane, Peter Darling, Steven Hoggett, Ann Yee, Imogen Knight and Shelley Maxwell explore processes of creativity, collaboration and innovation for the moving body in performance. The conversations open up: Growth of movement direction through the 20th century New insights into embodied theatre practice Diverse movement approaches and creative preparation Physical trainings and influences Working methods with directors and actors in the rehearsal room Movement for actors in opera, film, television and musical theatre Relationships between movement direction and theatre choreography Potential future developments in the field

Author : Susana Pendzik
Publisher : Springer
ISBN 13 : 1137535938
Total Pages : 272 pages
Book Rating : 4.31/5 ( download)

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Download or read book The Self in Performance written by Susana Pendzik and published by Springer. This book was released on 2017-01-10 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to examine the performance of autobiographical material as a theatrical form, a research subject, and a therapeutic method. Contextualizing personal performance within psychological and theatrical paradigms, the book identifies and explores core concepts, such as the function of the director/therapist throughout the creative process, the role of the audience, and the dramaturgy involved in constructing such performances. It thus provides insights into a range of Autobiographic Therapeutic Performance forms, including Self-Revelatory and Autoethnographic Performance. Addressing issues of identity, memory, authenticity, self-reflection, self-indulgence, and embodied self-representation, the book presents, with both breadth and depth, a look at this fascinating field, gathering contributions by notable professionals around the world. Methods and approaches are illustrated with case examples that range from clients in private practice in California, through students in drama therapy training in the UK, to inmates in Lebanese prisons.

Author : Steven Berkoff
Publisher : Faber & Faber
ISBN 13 : 0571318460
Total Pages : 303 pages
Book Rating : 4.69/5 ( download)

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Download or read book Steven Berkoff Plays 1 written by Steven Berkoff and published by Faber & Faber. This book was released on 2014-09-04 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Steven Berkoff is a phenomenon. Among the artists working in the theatre today he is probably the most theatrical - his special combination of speech, movement and spectacle is uniquely powerful. This first collection of his plays includes East, described by Berkoff as 'an outburst or revolt against the sloth of my youth and a desire to turn a welter of undirected passion and frustration into a positive form'. Also included in this collection are the plays West and Sink the Belgrano!

Author : Robert Ormsby
Publisher : Manchester University Press
ISBN 13 : 1526101963
Total Pages : 360 pages
Book Rating : 4.69/5 ( download)

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Download or read book Coriolanus written by Robert Ormsby and published by Manchester University Press. This book was released on 2015-11-01 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a study of twenty stage productions, adaptations and screen versions of Shakespeare’s final Roman play. It makes available for the first time sustained discussions of major productions of the play in four languages and five countries, and explores how Shakespeare’s most political drama has been shaped to circumstances radically different from its original early modern staging. The book offers in-depth analyses of Coriolanus productions covering the post-war era to the twenty-first century, combining close readings of documents and historical contextualisation to productions by the BBC, the Berliner Ensemble, The Katona József Theatre in communist Hungary, the Royal Shakespeare Company, Britain’s National Theatre, The New York Shakespeare Festival, Robert Lepage, Shakespeare’s Globe Theatre and Ralph Fiennes’ major motion picture. This volume will be of interest to a wide range of readers, including specialists, graduate students and undergraduates studying both Coriolanus and the history of Shakespearean performance.

Author : Vayos Liapis
Publisher : Cambridge University Press
ISBN 13 : 1009038745
Total Pages : 447 pages
Book Rating : 4.44/5 ( download)

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Download or read book Adapting Greek Tragedy written by Vayos Liapis and published by Cambridge University Press. This book was released on 2021-04-01 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adaptations of Greek tragedy are increasingly claiming our attention as a dynamic way of engaging with a dramatic genre that flourished in Greece some twenty-five centuries ago but remains as vital as ever. In this volume, fifteen leading scholars and practitioners of the theatre systematically discuss contemporary adaptations of Greek tragedy and explore the challenges and rewards involved therein. Adopting a variety of methodologies, viewpoints and approaches, the volume offers surveys of recent developments in the field, engages with challenging theoretical issues, and shows how adapting Greek tragedy can throw new light on a range of contemporary issues — from our relation to the classical past and our shifting perceptions of ethnic and cultural identities to the place, function and market-value of Greek drama in today's cultural industries. The volume will be welcomed by students and scholars in Classics, Theatre, Drama and Performance Studies, as well as by theatre practitioners.

Author : Irene Morra
Publisher : Bloomsbury Publishing
ISBN 13 : 147258015X
Total Pages : 304 pages
Book Rating : 4.53/5 ( download)

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Download or read book Verse Drama in England, 1900-2015 written by Irene Morra and published by Bloomsbury Publishing. This book was released on 2016-10-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Verse Drama in England, 1900-2015 provides a critical and historical exploration of a tradition of modern dramatic creativity that has received very little scholarly attention. Exploring the emergence of a distinctly modern verse drama at the turn of the century and its development into the twenty-first, it counters common assumptions that the form is a marginal, fundamentally outdated curiosity. Through an examination of the extensive and diverse engagement of literary and theatrical writers, directors and musicians, Irene Morra identifies in modern verse drama a consistent and often prominent attempt to expand upon, revitalize, and redefine the contemporary English stage. Dramatists discussed include Stephen Phillips, Gordon Bottomley, John Masefield, James Elroy Flecker, T. S. Eliot, W. H. Auden, Ronald Duncan, Christopher Fry, John Arden, Anne Ridler, Tony Harrison, Steven Berkoff, Caryl Churchill, and Mike Bartlett. The book explores the negotiation of these dramatists with the changing position of verse drama in relation to constructions of national and communal audience, aesthetic challenge, and dramatic heritage. Key to the study is the self-conscious positioning of many of these dramatists in relation to an assumed mainstream tradition – and the various critical responses that that positioning has provoked. The study advocates for a scholarly revaluation of what must be identified as an influential and overlooked tradition of aesthetic challenge and creativity.

Author :
Publisher : BRILL
ISBN 13 : 9004310983
Total Pages : 342 pages
Book Rating : 4.88/5 ( download)

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Download or read book Brill's Companion to the Reception of Senecan Tragedy written by and published by BRILL. This book was released on 2016-02-02 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Brill's Companion to the Reception of Senecan Tragedy, Dodson-Robinson incorporates interdisciplinary essays tracing how Western writers from antiquity to the present have transformed Senecan drama to develop competing tragic visions of agency and the human place in the universe.

Author : M. Inchley
Publisher : Springer
ISBN 13 : 1137432330
Total Pages : 204 pages
Book Rating : 4.39/5 ( download)

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Download or read book Voice and New Writing, 1997-2007 written by M. Inchley and published by Springer. This book was released on 2015-03-14 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: In New Labour's empathetic regime, how did diverse voices scrutinize its etiquettes of articulation and audibility? Using the voice as cultural evidence, Voice and New Writing explores what it means to 'have' a voice in mainstream theatre and for newly included voices to negotiate with the institutions that 'find' and 'represent' their identities.