The Aesthetics of Comics

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Publisher : Penn State Press
ISBN 13 : 9780271038377
Total Pages : 156 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis The Aesthetics of Comics by :

Download or read book The Aesthetics of Comics written by and published by Penn State Press. This book was released on with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Art of the Funnies

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Publisher : Univ. Press of Mississippi
ISBN 13 : 9780878056743
Total Pages : 268 pages
Book Rating : 4.42/5 ( download)

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Book Synopsis The Art of the Funnies by : Robert C. Harvey

Download or read book The Art of the Funnies written by Robert C. Harvey and published by Univ. Press of Mississippi. This book was released on 1994 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.

The Art of Comics

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Author :
Publisher : John Wiley & Sons
ISBN 13 : 1118799461
Total Pages : 4 pages
Book Rating : 4.68/5 ( download)

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Book Synopsis The Art of Comics by : Aaron Meskin

Download or read book The Art of Comics written by Aaron Meskin and published by John Wiley & Sons. This book was released on 2014-02-03 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE ART OF COMICS The Art of Comics: A Philosophical Introduction is the first-ever collection of essays published in English devoted to the philosophical questions raised by the art of comics. The volume, which includes a preface by the renowned comics author Warren Ellis, contains ten cutting-edge essays on a range of philosophical topics raised by comics and graphic novels. These include the definition of comics, the nature of comics genres, the relationship between comics and other arts such as film and literature, the way words and pictures combine in comics, comics authorship, the “language” of comics, and the metaphysics of comics. The book also contains an in-depth introduction by the co-editors which provides an overview of both the book and its subject, as well as a brief history of comics and an overview of extant work on the philosophy of comics. In an area of growing philosophical interest, this volume constitutes a great leap forward in the development of this fast expanding field, and makes a major contribution to the philosophy of art.

The Art of the Comic Book

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Publisher : Univ. Press of Mississippi
ISBN 13 : 9780878057580
Total Pages : 304 pages
Book Rating : 4.87/5 ( download)

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Book Synopsis The Art of the Comic Book by : Robert C. Harvey

Download or read book The Art of the Comic Book written by Robert C. Harvey and published by Univ. Press of Mississippi. This book was released on 1996 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the comic book, in which a noted cartoonist demonstrates the aesthetics and power of the medium

Comic Books as History

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Publisher : Univ. Press of Mississippi
ISBN 13 : 9780878054060
Total Pages : 188 pages
Book Rating : 4.65/5 ( download)

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Book Synopsis Comic Books as History by : Joseph Witek

Download or read book Comic Books as History written by Joseph Witek and published by Univ. Press of Mississippi. This book was released on 1989 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first full-length scholarly study of comic books as a narrative form attempts to explain why comic books, traditionally considered to be juvenile trash literature, have in the 1980s been used by serious artists to tell realistic stories for adults

Aesthetics

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Publisher : Yale University Press
ISBN 13 : 0300184409
Total Pages : 122 pages
Book Rating : 4.02/5 ( download)

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Book Synopsis Aesthetics by : Ivan Brunetti

Download or read book Aesthetics written by Ivan Brunetti and published by Yale University Press. This book was released on 2013-05-28 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a collection of the author's works, including concept art and finished products.

Art in Time

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Publisher : Abrams ComicArts
ISBN 13 :
Total Pages : 312 pages
Book Rating : 4.49/5 ( download)

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Book Synopsis Art in Time by : Dan Nadel

Download or read book Art in Time written by Dan Nadel and published by Abrams ComicArts. This book was released on 2010-03 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: . . . Focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange).

Sparring with Gil Kane

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Publisher : Fantagraphics Books
ISBN 13 : 1683960718
Total Pages : 310 pages
Book Rating : 4.13/5 ( download)

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Book Synopsis Sparring with Gil Kane by : Gil Kane

Download or read book Sparring with Gil Kane written by Gil Kane and published by Fantagraphics Books. This book was released on 2018-01-24 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Legendary Intellectual and Raconteur Talks to Hal Foster, Walt Kelly, Harvey Kurtzman, Howard Chaykin, Robert Crumb, and Other Artists.

On Comics and Legal Aesthetics

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Publisher : Routledge
ISBN 13 : 1315310112
Total Pages : 230 pages
Book Rating : 4.14/5 ( download)

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Book Synopsis On Comics and Legal Aesthetics by : Thomas Giddens

Download or read book On Comics and Legal Aesthetics written by Thomas Giddens and published by Routledge. This book was released on 2018-04-17 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: What are the implications of comics for law? Tackling this question, On Comics and Legal Aesthetics explores the epistemological dimensions of comics and the way this once-maligned medium can help think about – and reshape – the form of law. Traversing comics, critical, and cultural legal studies, it seeks to enrich the theorisation of comics with a critical aesthetics that expands its value and significance for law, as well as knowledge more generally. It argues that comics’ multimodality – its hybrid structure, which represents a meeting point of text, image, reason, and aesthetics – opens understanding of the limits of law’s rational texts by shifting between multiple frames and modes of presentation. Comics thereby exposes the way all forms of knowledge are shaped out of an unstructured universe, becoming a mask over this chaotic ‘beyond’. This mask of knowing remains haunted – by that which it can never fully capture or represent. Comics thus models knowledge as an infinity of nested frames haunted by the chaos without structure. In such a model, the multiple aspects of law become one region of a vast and bottomless cascade of perspectives – an infinite multiframe that extends far beyond the traditional confines of the comics page, rendering law boundless.

Film and Comic Books

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Publisher : Univ. Press of Mississippi
ISBN 13 : 1628468688
Total Pages : 356 pages
Book Rating : 4.87/5 ( download)

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Book Synopsis Film and Comic Books by : Ian Gordon

Download or read book Film and Comic Books written by Ian Gordon and published by Univ. Press of Mississippi. This book was released on 2010-01-06 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lefevre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor; Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia.