The End of Art Theory

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 1349182028
Total Pages : 231 pages
Book Rating : 4.22/5 ( download)

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Book Synopsis The End of Art Theory by : Victor Burgin

Download or read book The End of Art Theory written by Victor Burgin and published by Bloomsbury Publishing. This book was released on 1986-05-02 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art theory', understood as those forms of aesthetics, art history and criticism which began in the Enlightenment and culminated in 'high modernism', is now at an end. These essays, examining the interdependencies of advertising, film, painting and photography, constitute a call for a 'new art theory' - a practice of writing whose end is to contribute to a general 'theory of representations': an understanding of the modes and means of symbolic articulation of our forms of sociality and subjectivity.

After the End of Art

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Publisher : Princeton University Press
ISBN 13 : 0691209308
Total Pages : 350 pages
Book Rating : 4.02/5 ( download)

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Book Synopsis After the End of Art by : Arthur C. Danto

Download or read book After the End of Art written by Arthur C. Danto and published by Princeton University Press. This book was released on 2021-06-08 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.

Wake of Art

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Author :
Publisher : Routledge
ISBN 13 : 1134395388
Total Pages : 221 pages
Book Rating : 4.85/5 ( download)

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Book Synopsis Wake of Art by : Arthur C. Danto

Download or read book Wake of Art written by Arthur C. Danto and published by Routledge. This book was released on 2013-09-13 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art.

The Return of the Real

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Publisher : MIT Press
ISBN 13 : 9780262561075
Total Pages : 332 pages
Book Rating : 4.77/5 ( download)

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Book Synopsis The Return of the Real by : Hal Foster

Download or read book The Return of the Real written by Hal Foster and published by MIT Press. This book was released on 1996-09-25 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today. After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites. If The Return of the Real begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation—and what it portends for future practices of art and theory, culture and politics.

The Philosophical Disenfranchisement of Art

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Publisher : Columbia University Press
ISBN 13 : 9780231132275
Total Pages : 254 pages
Book Rating : 4.71/5 ( download)

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Book Synopsis The Philosophical Disenfranchisement of Art by : Arthur C. Danto

Download or read book The Philosophical Disenfranchisement of Art written by Arthur C. Danto and published by Columbia University Press. This book was released on 2005 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this text, first published in 1986, the author explored the inextricably linked but often misunderstood relationship between art and philosophy. In this new edition, Jonathan Gilmore provides a foreword discussing how scholarship has changed in response to it.

Embodied Meanings

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Publisher : Farrar, Straus and Giroux
ISBN 13 : 9780374524586
Total Pages : 144 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Embodied Meanings by : Arthur Coleman Danto

Download or read book Embodied Meanings written by Arthur Coleman Danto and published by Farrar, Straus and Giroux. This book was released on 1995-09-30 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:

What Art Is

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Publisher : Yale University Press
ISBN 13 : 030017487X
Total Pages : 190 pages
Book Rating : 4.78/5 ( download)

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Book Synopsis What Art Is by : Arthur C. Danto

Download or read book What Art Is written by Arthur C. Danto and published by Yale University Press. This book was released on 2013-03-19 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of America's most celebrated art critics offers a lively meditation on the nature of art.

The End of Diversity in Art Historical Writing

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 311072247X
Total Pages : 221 pages
Book Rating : 4.75/5 ( download)

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Book Synopsis The End of Diversity in Art Historical Writing by : James Elkins

Download or read book The End of Diversity in Art Historical Writing written by James Elkins and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-12-07 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.

Cézanne and the End of Impressionism

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Publisher : University of Chicago Press
ISBN 13 : 022623777X
Total Pages : 337 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis Cézanne and the End of Impressionism by : Richard Shiff

Download or read book Cézanne and the End of Impressionism written by Richard Shiff and published by University of Chicago Press. This book was released on 2014-12-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.

The End of Art

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Publisher : Stanford University Press
ISBN 13 : 9780804744249
Total Pages : 220 pages
Book Rating : 4.46/5 ( download)

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Book Synopsis The End of Art by : Eva Geulen

Download or read book The End of Art written by Eva Geulen and published by Stanford University Press. This book was released on 2006 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here turn the end of art into an occasion to thematize and to reflect on the very thing that modernism cannot or should not be: tradition. As a discourse, the end of art is one of our modern traditions.