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Publisher : Penn State Press
ISBN 13 : 9780271048376
Total Pages : 392 pages
Book Rating : 4.79/5 ( download)
Download or read book The Making of English Photography: Allegories written by and published by Penn State Press. This book was released on with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Robin Kelsey
Publisher : Harvard University Press
ISBN 13 : 0674744004
Total Pages : 409 pages
Book Rating : 4.04/5 ( download)
Download or read book Photography and the Art of Chance written by Robin Kelsey and published by Harvard University Press. This book was released on 2015 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Author : Natasha Eaton
Publisher : Routledge
ISBN 13 : 1000262553
Total Pages : 466 pages
Book Rating : 4.51/5 ( download)
Download or read book Travel, Art and Collecting in South Asia written by Natasha Eaton and published by Routledge. This book was released on 2020-12-14 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Travel, Art and Collecting in South Asia questions what are ideas of vertiginous collecting, art-making and museums as expanded fields, including wonder houses and missionary museums (or museobuses) in Britain and South Asia. If the historiography of British India has privileged photography and the 'Imperial Picturesque', the emphasis here is on the formation of a creole modernity, one that considers the relationship between art and labour, including pearlescence and pearl fishing in Sri Lanka, and the iconoclastic/fetish debates and forms of collecting amongst missionaries. Eaton explores these themes alongside the genealogies and modernities of white(ness) in contemporary curating and amateur female practice, and how the museobus or museum as a unique object has informed the work of contemporary artist group Raqs Media Collective. This book will be of interest to scholars in art history, Asian history, and imperial and colonial history.
Author : Elena Cooper
Publisher : Cambridge University Press
ISBN 13 : 1107179726
Total Pages : 319 pages
Book Rating : 4.21/5 ( download)
Download or read book Art and Modern Copyright written by Elena Cooper and published by Cambridge University Press. This book was released on 2018-08-16 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in-depth study of the history of copyright protecting the visual arts, uncovering long-forgotten narratives of copyright history and reflecting on how those sharpen the critical lens through which we view copyright today. It will appeal to copyright lawyers, scholars and policy-makers, as well as to art historians and curators.
Author : Gil Pasternak
Publisher : Routledge
ISBN 13 : 1000213072
Total Pages : 737 pages
Book Rating : 4.72/5 ( download)
Download or read book The Handbook of Photography Studies written by Gil Pasternak and published by Routledge. This book was released on 2020-08-13 with total page 737 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography’s cultural and geopolitical influences; and examines photography’s multiple uses and continued changing faces. Each part begins with an introductory text, giving historical contextualization and scholarly orientation. Featuring the work of international experts, and offering diverse examples, insights and discussions of the field’s rich historiography, the Handbook provides critical guidance to the most recent research in photography studies. This pioneering and comprehensive volume presents a systematic synopsis of the subject that will be an invaluable resource for photography researchers and students from all disciplinary backgrounds in the arts, humanities and social sciences.
Author : Juliet Hacking
Publisher : Bloomsbury Publishing
ISBN 13 : 1350048542
Total Pages : 248 pages
Book Rating : 4.46/5 ( download)
Download or read book Photography and the Arts written by Juliet Hacking and published by Bloomsbury Publishing. This book was released on 2020-10-29 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.
Author : Stephanie Schwartz
Publisher : University of Texas Press
ISBN 13 : 1477329854
Total Pages : 439 pages
Book Rating : 4.56/5 ( download)
Download or read book Walker Evans written by Stephanie Schwartz and published by University of Texas Press. This book was released on 2023-10-15 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: “NO POLITICS whatever.” Walker Evans made this emphatic declaration in 1935, the year he began work for FDR’s Resettlement Administration. Evans insisted that his photographs of tenant farmers and their homes, breadlines, and the unemployed should be treated as “pure record.” The American photographer’s statements have often been dismissed. In Walker Evans: No Politics, Stephanie Schwartz challenges us to engage with what it might mean, in the 1930s and at the height of the Great Depression, to refuse to work politically. Offering close readings of Evans’s numerous commissions, including his contribution to Carleton Beals’s anti-imperialist tract, The Crime of Cuba (1933), this book is a major departure from the standard accounts of Evans’s work and American documentary. Documentary, Schwartz reveals, is not a means of being present—or being “political.” It is a practice of record making designed to distance its maker from the “scene of the crime.” That crime, Schwartz argues, is not just the Depression; it is the processes of Americanization reshaping both photography and politics in the 1930s. Historicizing documentary, this book reimagines Evans and his legacy—the complexities of claiming “no politics.”
Author : John Hannavy
Publisher : Routledge
ISBN 13 : 1135873275
Total Pages : 1629 pages
Book Rating : 4.71/5 ( download)
Download or read book Encyclopedia of Nineteenth-Century Photography written by John Hannavy and published by Routledge. This book was released on 2013-12-16 with total page 1629 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author : Nina Lager Vestberg
Publisher : MIT Press
ISBN 13 : 0262362228
Total Pages : 274 pages
Book Rating : 4.21/5 ( download)
Download or read book Picture Research written by Nina Lager Vestberg and published by MIT Press. This book was released on 2023-06-06 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: An intimate foray into the invisible work that made it possible for pictures to circulate in print and online from the 1830s to the 2010s. Picture Research focuses on how pictures were saved, stored, and searched for in a time before scanners, servers, and search engines, and describes the dramatic difference it made when images became scannable, searchable, and distributable via the internet. While the camera, the darkroom, and the printed page are well-known sites of photographic production that have been replaced by cell phones, imaging software, and websites, the cultural intermediaries of mass-circulation photography—picture librarians and researchers, editors, and archivists—are less familiar. In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, Picture Research reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.
Author : John Roberts
Publisher : Columbia University Press
ISBN 13 : 0231168187
Total Pages : 234 pages
Book Rating : 4.82/5 ( download)
Download or read book Photography and Its Violations written by John Roberts and published by Columbia University Press. This book was released on 2014-09-30 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theorists critique photography for ÒobjectifyingÓ its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photographyÕs violating powers and aesthetic technique as part of a complex Òsocial ontologyÓ that exposes the hierarchies, divisions, and exclusions behind appearances. Photography must Òarrive unannouncedÓ and Òget in the way of the world,Ó Roberts argues, committing to the truth-claims of the spectator over the self-interests and sensitivities of the subject. Yet even though the violating capacity of the photograph results from external power relations, the photographer is still faced with an ethical choice: whether to advance photographyÕs truth-claims on the basis of these powers or to diminish or veil these powers to protect the integrity of the subject. PhotographyÕs acts of intrusion and destabilization constantly test the photographer at the point of production, in the darkroom, and at the computer, especially in our 24-hour digital image culture. RobertsÕs refunctioning of photographyÕs place in the world is therefore critically game-changing, as it politically and theoretically restores the reputation of the art.
