The Modern Conductor

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Publisher : Prentice Hall
ISBN 13 :
Total Pages : 328 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis The Modern Conductor by : Elizabeth A. H. Green

Download or read book The Modern Conductor written by Elizabeth A. H. Green and published by Prentice Hall. This book was released on 1969 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Conductor and His Baton

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Publisher :
ISBN 13 :
Total Pages : 290 pages
Book Rating : 4.45/5 ( download)

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Book Synopsis The Conductor and His Baton by : Nicolai Malko

Download or read book The Conductor and His Baton written by Nicolai Malko and published by . This book was released on 1950 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Modern Conductor

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Author :
Publisher : Prentice Hall
ISBN 13 : 9780135901830
Total Pages : 273 pages
Book Rating : 4.39/5 ( download)

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Book Synopsis The Modern Conductor by : Elizabeth A. H. Green

Download or read book The Modern Conductor written by Elizabeth A. H. Green and published by Prentice Hall. This book was released on 1987 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Extensively refined and updated, this new edition on conducting posits that conducting is atime-space art. It builds basic book techniques and includes additional band scores excerpts, placed in proximity with the classic repertoire. The text adds new baton timing techniques, and shows the relationships of time, speed, and motion. Key words and principles are highlighted in boldface or italics. This book states a new principle regarding gesture-speed as related to dynamics and phrasing. Drills to train the mind and hands simultaneously are presented. Complete diagrams, all time-beating patterns, and logical classification of expressive gestures are included. Offers manual-technique photo illustrations and a wealth of music examples that show the application of techniques. Features an extensive appendix that includes seating charts, language tables (scores), less common terms, and an outline of musical form to aid in score study. For musicians.

The Art of Conducting

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Publisher : McGraw-Hill Education
ISBN 13 : 9780070313262
Total Pages : 0 pages
Book Rating : 4.61/5 ( download)

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Book Synopsis The Art of Conducting by : Roy Ernst

Download or read book The Art of Conducting written by Roy Ernst and published by McGraw-Hill Education. This book was released on 1991-11-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text contains practical instruction in choral and instrumental conducting for both beginning and intermediate students, along with a large selection of scores for classroom practice.

The Compleat Conductor

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Publisher : Oxford University Press
ISBN 13 : 019984058X
Total Pages : 585 pages
Book Rating : 4.88/5 ( download)

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Book Synopsis The Compleat Conductor by : Gunther Schuller

Download or read book The Compleat Conductor written by Gunther Schuller and published by Oxford University Press. This book was released on 1998-12-10 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.

Conducting Technique

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Publisher :
ISBN 13 :
Total Pages : 164 pages
Book Rating : 4.22/5 ( download)

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Book Synopsis Conducting Technique by : Brock McElheran

Download or read book Conducting Technique written by Brock McElheran and published by . This book was released on 1989 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, includinga new preface.

Beyond the Baton

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Publisher : OUP USA
ISBN 13 : 0195300939
Total Pages : 348 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis Beyond the Baton by : Diane Wittry

Download or read book Beyond the Baton written by Diane Wittry and published by OUP USA. This book was released on 2007 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description

Shoot the Conductor

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Publisher : University of North Texas Press
ISBN 13 : 1574416138
Total Pages : 336 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis Shoot the Conductor by : Anshel Brusilow

Download or read book Shoot the Conductor written by Anshel Brusilow and published by University of North Texas Press. This book was released on 2015-07-15 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966. Ormandy and Brusilow had a father-son relationship, but Brusilow could not resist conducting, to Ormandy's great displeasure. By the time he was forty, Brusilow had sold his violin and formed his own chamber orchestra in Philadelphia with more than a hundred performances per year. For three years he was conductor of the Dallas Symphony, until he went on to shape the orchestral programs at Southern Methodist University and the University of North Texas. Brusilow played with or conducted many top-tier classical musicians, and he has opinions about each and every one. He also made many recordings. Co-written with Robin Underdahl, his memoir is a fascinating and unique view of American classical music during an important era, as well as an inspiring story of a working-class immigrant child making good in a tough arena.

A Practical Guide to Choral Conducting

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Publisher : Routledge
ISBN 13 : 135167367X
Total Pages : 266 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis A Practical Guide to Choral Conducting by : Harold Rosenbaum

Download or read book A Practical Guide to Choral Conducting written by Harold Rosenbaum and published by Routledge. This book was released on 2017-10-17 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rooted in the experience of a professional choral conductor, this book provides a guide to practical issues facing conductors of choral ensembles at all levels, from youth choruses to university ensembles, church and community choirs, and professional vocal groups. Paired with the discussion of practical challenges is a discussion of over fifty key works from the choral literature, with performance suggestions to aid the choral conductor in directing each piece. Dealing with often-overlooked yet vital considerations such as how to work with composers, recording, concert halls, and choral tours, A Practical Guide to Choral Conducting offers a valuable resource for both emerging choral conductors and students of choral conducting at the undergraduate and graduate levels.

The Silent Musician

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Publisher : University of Chicago Press
ISBN 13 : 022662255X
Total Pages : 261 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis The Silent Musician by : Mark Wigglesworth

Download or read book The Silent Musician written by Mark Wigglesworth and published by University of Chicago Press. This book was released on 2019-03-21 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The conductor—tuxedoed, imposingly poised above an orchestra, baton waving dramatically—is a familiar figure even for those who never set foot in an orchestral hall. As a veritable icon for classical music, the conductor has also been subjected to some ungenerous caricatures, presented variously as unhinged gesticulator, indulged megalomaniac, or even outright impostor. Consider, for example: Bugs Bunny as Leopold Stokowski, dramatically smashing his baton and then breaking into erratic poses with a forbidding intensity in his eyes, or Mickey Mouse in Fantasia, unwittingly conjuring dangerous magic with carefree gestures he doesn’t understand. As these clichés betray, there is an aura of mystery around what a conductor actually does, often coupled with disbelief that he or she really makes a difference to the performance we hear. The Silent Musician deepens our understanding of what conductors do and why they matter. Neither an instruction manual for conductors, nor a history of conducting, the book instead explores the role of the conductor in noiselessly shaping the music that we hear. Writing in a clever, insightful, and often evocative style, world-renowned conductor Mark Wigglesworth deftly explores the philosophical underpinnings of conducting—from the conductor’s relationship with musicians and the music, to the public and personal responsibilities conductors face—and examines the subtler components of their silent art, which include precision, charisma, diplomacy, and passion. Ultimately, Wigglesworth shows how conductors—by simultaneously keeping time and allowing time to expand—manage to shape ensemble music into an immersive, transformative experience, without ever making a sound.