Thought And Play In Musical Rhythm

Author : Richard Wolf
Publisher : Oxford University Press
ISBN 13 : 0190841516
Total Pages : 352 pages
Book Rating : 4.15/5 ( download)

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Download or read book Thought and Play in Musical Rhythm written by Richard Wolf and published by Oxford University Press. This book was released on 2019-10-11 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thought and Play in Musical Rhythm offers new understandings of musical rhythm through the analysis and comparison of diverse repertoires, performance practices, and theories as formulated and transmitted in speech or writing. Editors Richard K. Wolf, Stephen Blum, and Christopher Hasty address a productive tension in musical studies between universalistic and culturally relevant approaches to the study of rhythm. Reacting to commonplace ideas in (Western) music pedagogy, the essays explore a range of perspectives on rhythm: its status as an "element" of music that can be usefully abstracted from timbre, tone, and harmony; its connotations of regularity (or, by contrast, that rhythm is what we hear against the grain of background regularity); and its special embodiment in percussion parts. Unique among studies of musical rhythm, the collection directs close attention to ways performers and listeners conceptualize aspects of rhythm and questions many received categories for describing rhythm. By drawing the ear and the mind to tensions, distinctions, and aesthetic principles that might otherwise be overlooked, this focus on local concepts enables the listener to dispel assumptions about how music works "in general." Readers may walk away with a few surprises, become more aware of their assumptions, and/or think of new ways to shock their students out of complacency.

Author : Michael Tenzer
Publisher : Oxford University Press on Demand
ISBN 13 : 019538458X
Total Pages : 472 pages
Book Rating : 4.81/5 ( download)

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Download or read book Analytical and Cross-Cultural Studies in World Music written by Michael Tenzer and published by Oxford University Press on Demand. This book was released on 2011-10-12 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text presents intriguing explanations of extraordinary musical creations from diverse cultures across the world. It recounts the contexts in which the music is created and performed and then hones in on elucidating how the music works as sound in process.

Author : Victor L. Wooten
Publisher : Penguin
ISBN 13 : 9780425220931
Total Pages : 292 pages
Book Rating : 4.31/5 ( download)

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Download or read book The Music Lesson written by Victor L. Wooten and published by Penguin. This book was released on 2008-04-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes…and feeling them. The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside. “The best book on music (and its connection to the mystic laws of life) that I've ever read. I learned so much on every level.”—Multiple Grammy Award–winning saxophonist Michael Brecker

Author : Peter Cheyne
Publisher : Oxford University Press
ISBN 13 : 0190067926
Total Pages : 384 pages
Book Rating : 4.22/5 ( download)

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Download or read book The Philosophy of Rhythm written by Peter Cheyne and published by Oxford University Press. This book was released on 2019-10-30 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience--particularly in sociology, cultural and media theory, and literary studies--has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience.

Author : Russell Hartenberger
Publisher : Cambridge University Press
ISBN 13 : 1108492924
Total Pages : 371 pages
Book Rating : 4.28/5 ( download)

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Download or read book The Cambridge Companion to Rhythm written by Russell Hartenberger and published by Cambridge University Press. This book was released on 2020-09-24 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.

Author : John Blackwood McEwen
Publisher : London : Macmillan and Company
ISBN 13 :
Total Pages : 258 pages
Book Rating : 4.43/5 ( download)

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Download or read book The Thought in Music written by John Blackwood McEwen and published by London : Macmillan and Company. This book was released on 1912 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Christopher Hasty
Publisher : Oxford University Press
ISBN 13 : 9780195356533
Total Pages : 328 pages
Book Rating : 4.35/5 ( download)

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Download or read book Meter As Rhythm written by Christopher Hasty and published by Oxford University Press. This book was released on 1997-04-10 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book Christopher Hasty presents a striking new theory of musical duration. Drawing on insights from modern "process" philosophy, he advances a fully temporal perspective in which meter is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. Part one of the book reviews oppositions of law and freedom, structure and process, determinacy and indeterminacy in the speculations of theorists from the eighteenth century to the present. Part two reinterprets these contrasts to form a highly original account of meter that engages diverse musical repertories and aesthetic issues.

Author : John Blackwood McEwen
Publisher :
ISBN 13 : 9780243649495
Total Pages : pages
Book Rating : 4.95/5 ( download)

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Download or read book Thought in Music written by John Blackwood McEwen and published by . This book was released on 2019 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Sir John Blackwood Mcewen
Publisher : Hardpress Publishing
ISBN 13 : 9781407700434
Total Pages : 252 pages
Book Rating : 4.3X/5 ( download)

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Download or read book The Thought in Music; an Enquiry Into the Principles of Musical Rhythm, Phrasing and Expression written by Sir John Blackwood Mcewen and published by Hardpress Publishing. This book was released on 2012-01 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Author : Michael Spitzer
Publisher : University of Chicago Press
ISBN 13 : 022627943X
Total Pages : 393 pages
Book Rating : 4.35/5 ( download)

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Download or read book Metaphor and Musical Thought written by Michael Spitzer and published by University of Chicago Press. This book was released on 2015-12-21 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.