Women Art And Power And Other Essays

Author : Linda Nochlin
Publisher : Routledge
ISBN 13 : 0429982623
Total Pages : 228 pages
Book Rating : 4.20/5 ( download)

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Download or read book Women, Art, And Power And Other Essays written by Linda Nochlin and published by Routledge. This book was released on 2018-02-12 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women, Art, and Power?seven landmark essays on women artists and women in art history?brings together the work of almost twenty years of scholarship and speculation.

Author : Linda Nochlin
Publisher : Thames & Hudson
ISBN 13 : 0500776628
Total Pages : 84 pages
Book Rating : 4.29/5 ( download)

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Download or read book Why Have There Been No Great Women Artists?: 50th anniversary edition written by Linda Nochlin and published by Thames & Hudson. This book was released on 2021-02-16 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”

Author : Eleanor Heartney
Publisher : Prestel Verlag
ISBN 13 : 3641108217
Total Pages : 531 pages
Book Rating : 4.12/5 ( download)

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Download or read book After the Revolution written by Eleanor Heartney and published by Prestel Verlag. This book was released on 2013-11-04 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.

Author : Linda Nochlin
Publisher : National Geographic Books
ISBN 13 : 0500295557
Total Pages : 0 pages
Book Rating : 4.57/5 ( download)

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Download or read book Women Artists written by Linda Nochlin and published by National Geographic Books. This book was released on 2020-11-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive compendium of renowned art historian Linda Nochlin's work, including her landmark essays on the position and influence of women artists. Linda Nochlin was one of the most accessible, provocative, and innovative art historians of our time. In 1971, she published “Why Have There Been No Great Women Artists?”—a dramatic feminist call to arms that questioned traditional art historical practices and led to a major revision of the discipline. Now available in paperback, Women Artists brings together twenty-nine essential essays from throughout Nochlin's career. Included are her major thematic texts "Women Artists After the French Revolution" and "Starting from Scratch: The Beginnings of Feminist Art History," as well as her landmark 1971 essay and its rejoinder, " 'Why Have There Been No Great Women Artists?' Thirty Years After." These appear alongside monographic entries focusing on a selection of major women artists, including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.

Author : Whitney Chadwick
Publisher :
ISBN 13 : 9780500203545
Total Pages : 496 pages
Book Rating : 4.47/5 ( download)

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Download or read book Women, Art, and Society written by Whitney Chadwick and published by . This book was released on 2002 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.

Author : Linda Nochlin
Publisher : Thames & Hudson
ISBN 13 : 0500777160
Total Pages : 830 pages
Book Rating : 4.69/5 ( download)

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Download or read book Making It Modern: Essays on the Art of the Now written by Linda Nochlin and published by Thames & Hudson. This book was released on 2022-03-08 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: A selection of key essays on art from the nineteenth century to the present day by one of the most influential voices in art history. This illustrated collection of essays brings together some of art historian Linda Nochlin’s most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal essay on feminism in art, “Why Have There Been No Great Women Artists?,” she had already firmly established herself as a major practitioner of a politically sophisticated and class-conscious social art history. Nochlin was part of an important cohort of scholars writing on modernity, determined to rethink the narratives of the subject under the pressure of contemporary events such as student uprisings, the women’s liberation movement, and the Vietnam War, with the help of politically engaged literary criticism that was emerging at the same time. Nochlin embraced Charles Baudelaire’s conviction that modernity is meant to be of one’s time—and that the role of an art historian was to understand the art of the past not only in its own historical context but according to the urgencies of the contemporary world. From academic debates about the nude in the eighteenth century to the work of Robert Gober in the twenty-first, whatever she turned her analytic eye to was conceived as the art of the now. Including seven previously unpublished pieces, this collection highlights the breadth and diversity of Nochlin’s output across the decades, including discussions on colonialism, fashion, and sex.

Author : Suzanne W. Jones
Publisher : University of Pennsylvania Press
ISBN 13 : 1512809594
Total Pages : 472 pages
Book Rating : 4.96/5 ( download)

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Download or read book Writing the Woman Artist written by Suzanne W. Jones and published by University of Pennsylvania Press. This book was released on 2016-11-11 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: "I mean, what is a woman? I assure you, I do not know. I do not believe that you know. I do not believe that anybody can know until she has expressed herself in all the arts and professions open to human skill."—Virginia Woolf, Professions for Women Writing The Woman Artist is a collection of essays that explores the ways in which women writers portray women painters, sculptors, writers, and performers. Surveying the works of a variety of women writers—from the nineteenth and twentieth centuries, from different ethnic, national , racial, and economic backgrounds—this book treats their revisions of the Künstlerroman and their perceptions of the relationships between muse, artist, and audience in other genres. Suzanne W. ]ones and her collaborators seek to understand how representations of women artists and their poetics and politics are mediated by social and historical factors, including literary movements and theories of language. In doing so, they make an important contribution to the field of feminist scholarship, and generate new ways of understanding how the dynamics of creativity intersect with the dynamics of gender. Contributors to the volume are Ann Ardis, Alison Booth , Kathleen Brogan, Lynda Bundtzen, Pamela Caughie, Mary DeShazer, Linda Dittmar, Josephine Donovan, Susan Stanford Friedman , Gayle Greene, Linda Hunt, Katherine Kearns, Holly Laird, Estella Lauter, Z. Nelly Martinez, Jane Atteridge Rose, Margaret Diane Stetz, Renate Voris, and Mara Witzling. Writing The Woman Artist is a valuable new resource for scholars and students working in the fields of European and American literature and women's studies.

Author : Mira Schor
Publisher : Duke University Press
ISBN 13 : 9780822319153
Total Pages : 284 pages
Book Rating : 4.52/5 ( download)

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Download or read book Wet written by Mira Schor and published by Duke University Press. This book was released on 1997 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor's writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor's own progress as a critic. Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor's most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism's fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle's depiction of women, Wet is a fascinating and informative collection. Complemented by over twenty illustrations, the essays in Wet reveal Schor's remarkable ability to see and to make others see art in a radically new light.

Author : Aruna D'Souza
Publisher :
ISBN 13 : 9780500282502
Total Pages : 224 pages
Book Rating : 4.01/5 ( download)

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Download or read book Self and History written by Aruna D'Souza and published by . This book was released on 2001 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: A number of prominent art historians pay homage to Linda Nochlin, the pioneering critic and art historian, in a series of essays addressing the intersection of subjectivity and history. Topics include: 18th-century erotic architecture; Pablo Picasso and Joan Miro; and realism in art.

Author : Mira Schor
Publisher : Duke University Press
ISBN 13 : 0822391414
Total Pages : 338 pages
Book Rating : 4.18/5 ( download)

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Download or read book A Decade of Negative Thinking written by Mira Schor and published by Duke University Press. This book was released on 2010-01-25 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art. In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.